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GHOSTS

The sheets, the clanking chains, the loud “BOO!”s—so old school: Today’s ghosts haunt today’s homes.

There’s the unseen television ghost, who “sits down right next to you” on the sofa and suddenly grabs you if something scary comes on, and the ghost in the telephone (“Dring! A ring, and then nothing”) and the miserable, water-hating bathroom ghost. These and others form this gallery of modern spooks who will give children with hyperactive imaginations a whole new set of anxieties. Still, except for the malicious ghost of the night, most of Goldie’s spooks are actually retiring sorts or at worst, mildly mischievous; some, such as the ghosts of the library and the garden, are even shy. Usually visible, if translucent or just outlines in Boutavant’s modernistic domestic scenes, the specters generally resemble small, unfrightening teddy bears or cats. They are presented, in a narrative that is often colored, angled and shaped to fit onto walls and furniture in the illustrations, by a cheery ectoplasmic host who closes with an invitation to a household ghost party. When? Why, tonight! Where? Guess. Perhaps best saved for the daytime, though the light tone will keep the chills on the mild side. (Picture book. 6-8)

 

Pub Date: Nov. 1, 2013

ISBN: 978-1-59270-142-1

Page Count: 40

Publisher: Enchanted Lion Books

Review Posted Online: Oct. 1, 2013

Kirkus Reviews Issue: Oct. 15, 2013

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YOU ARE MY PUMPKIN

While this is not an essential purchase, most little pumpkins will love being told, “Baby, I'm batty for you!” (Board book....

Young children won't understand the metaphors but will appreciate the sentiment made clear by the repeated, Halloween-themed declarations of love in Wan's latest board book.

Each of the seven spreads presents an endearment illustrated by an object drawn with heavy outlines and just enough detail to invoke its essential characteristics. Lest it become too maudlin, between the “sugary, sweet candy corn” and a “purr-fect, cuddly kitty” is a “wild, messy monster.” Wan manages to make each drawing expressive and distinctive while relying on just a few shapes—crescents or circles for eyes, dots or ovals accenting cheeks. Although each spread stands alone, there are quiet connections. For example, the orange of the pumpkin is repeated in the candy corn, and the purple that adorns kitty's hat and bow becomes the prominent color on the next spread, setting off the friendly white ghost nicely. The same purple is used for the spider's body on the next to last spread. Subtle, shadowed backgrounds repeat the patterns found elsewhere in the book. For example, the background of the page with the kitty includes pumpkins, hearts, and hats and bows like the ones kitty is wearing.

While this is not an essential purchase, most little pumpkins will love being told, “Baby, I'm batty for you!” (Board book. 6 mos.-3)

Pub Date: June 28, 2016

ISBN: 978-0-545-88092-3

Page Count: 14

Publisher: Cartwheel/Scholastic

Review Posted Online: May 13, 2016

Kirkus Reviews Issue: July 1, 2016

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GHOULIA

From the Ghoulia series , Vol. 1

Younger readers will wish that they could toss their heads…or at least that they knew someone who could.

A lonely zombie makes new friends just by being herself—on Halloween.

Quelled by Auntie Departed’s warnings, young Ghoulia has always confined her outdoor play to the walled grounds of Crumbling Manor…until she eavesdrops on some living children and learns about Halloween. Taking advantage of this perfect opportunity to fit in, she sneaks out with her albino greyhound (and gifted hairdresser), Tragedy, for some trick-or-treating. Hearing her name as “Julia,” the costumed children welcome her. But when they compete to see who’s the scariest, Ghoulia forgets herself and does her “special scary move,” tossing her head in the air and catching it in one hand. The children stand wide-eyed through no fewer than three illustrations on three successive pages—and then welcome her with wild delight and agree to keep her secret from the grown-ups. From then on they become regular visitors to Crumbling Manor. In full-color pictures that take up all or most of every page, Cantini depicts her undead urchin Tim Burton–style, with stitched lips, gray skin, and purple shadows beneath huge eyeballs (everyone else appears white—or sheet white). Assisted by suggestive labels (“Creaky steps”; “A spider visiting from the attic”; “Painting of Grandad Coffin”), the manorial setting has an Addams Family vibe and provides just the right spooky setting for this series opener. Halloween-themed activities are included in the backmatter.

Younger readers will wish that they could toss their heads…or at least that they knew someone who could. (Fantasy. 6-8)

Pub Date: Aug. 7, 2018

ISBN: 978-1-4197-3293-5

Page Count: 48

Publisher: Amulet/Abrams

Review Posted Online: April 24, 2018

Kirkus Reviews Issue: May 15, 2018

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