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SAVING RED

A heart-tugging, romanticized, mutual-savior story about homelessness and mental illness.

A young teen copes with loss by helping an older, homeless teen.

It’s late December, and 14-year-old Molly is walking around Santa Monica in the middle of the night, filling school-assigned community-service hours. Her task is counting (not helping) homeless people for the city, but a particular homeless girl captures her imagination, and their lives entwine. Molly yearns to send 18-year-old Red back to wherever her home might be, because, as Sones slowly reveals, Molly knows what it does to a family when a child disappears. Her older brother disappeared a year ago, and she blames herself. Now she feels triggered and guilty when anyone disappears, even briefly, whether it’s Red, Cristo (Molly’s new, requited crush), or Pixel, Molly’s emotional service dog whom she “sort of inherited” from her brother. Molly’s free-verse, first-person narration is smooth and fast, though weakened by exclamation marks. Red is both zany, given to dancing in public, and mentally ill—a sort of Manic Pixie Dream Disabled Girl, especially considering Molly’s conviction that Red saves her. Both Red and Molly are white; although Molly is Jewish, Christmas figures prominently, including a scary re-creation of a scene from It’s a Wonderful Life. Most of Molly’s innocent assumptions about Red’s homelessness turn out to be true, and the conclusion leans toward wish-fulfillment.

A heart-tugging, romanticized, mutual-savior story about homelessness and mental illness. (Verse fiction. 12-15)

Pub Date: Oct. 18, 2016

ISBN: 978-0-06-237028-0

Page Count: 448

Publisher: HarperTeen

Review Posted Online: July 1, 2016

Kirkus Reviews Issue: July 15, 2016

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UP FROM THE SEA

It’s the haunting details of those around Kai that readers will remember.

Kai’s life is upended when his coastal village is devastated in Japan’s 2011 earthquake and tsunami in this verse novel from an author who experienced them firsthand.

With his single mother, her parents, and his friend Ryu among the thousands missing or dead, biracial Kai, 17, is dazed and disoriented. His friend Shin’s supportive, but his intact family reminds Kai, whose American dad has been out of touch for years, of his loss. Kai’s isolation is amplified by his uncertain cultural status. Playing soccer and his growing friendship with shy Keiko barely lessen his despair. Then he’s invited to join a group of Japanese teens traveling to New York to meet others who as teenagers lost parents in the 9/11 attacks a decade earlier. Though at first reluctant, Kai agrees to go and, in the process, begins to imagine a future. Like graphic novels, today’s spare novels in verse (the subgenre concerning disasters especially) are significantly shaped by what’s left out. Lacking art’s visceral power to grab attention, verse novels may—as here—feel sparsely plotted with underdeveloped characters portrayed from a distance in elegiac monotone. Kai’s a generic figure, a coat hanger for the disaster’s main event, his victories mostly unearned; in striking contrast, his rural Japanese community and how they endure catastrophe and overwhelming losses—what they do and don’t do for one another, comforts they miss, kindnesses they value—spring to life.

It’s the haunting details of those around Kai that readers will remember. (author preface, afterword) (Verse fiction. 12-14)

Pub Date: Jan. 12, 2016

ISBN: 978-0-553-53474-0

Page Count: 272

Publisher: Crown

Review Posted Online: Sept. 15, 2015

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THE GOOD BRAIDER

Refreshing and moving: avoids easy answers and saviors from the outside.

From Sudan to Maine, in free verse.

It's 1999 in Juba, and the second Sudanese civil war is in full swing. Viola is a Bari girl, and she lives every day in fear of the government soldiers occupying her town. In brief free-verse chapters, Viola makes Juba real: the dusty soil, the memories of sweetened condensed milk, the afternoons Viola spends braiding her cousin's hair. But there is more to Juba than family and hunger; there are the soldiers, and the danger, and the horrifying interactions with soldiers that Viola doesn't describe but only lets the reader infer. As soon as possible, Viola's mother takes the family to Cairo and then to Portland, Maine—but they won't all make it. First one and then another family member is brought down by the devastating war and famine. After such a journey, the culture shock in Portland is unsurprisingly overwhelming. "Portland to New York: 234 miles, / New York to Cairo: 5,621 miles, / Cairo to Juba: 1,730 miles." Viola tries to become an American girl, with some help from her Sudanese friends, a nice American boy and the requisite excellent teacher. But her mother, like the rest of the Sudanese elders, wants to run her home as if she were back in Juba, and the inevitable conflict is heartbreaking.

Refreshing and moving: avoids easy answers and saviors from the outside. (historical note) (Fiction. 13-15)

Pub Date: May 1, 2012

ISBN: 978-0-7614-6267-5

Page Count: 224

Publisher: Marshall Cavendish

Review Posted Online: May 1, 2012

Kirkus Reviews Issue: May 15, 2012

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