A cozy quilt of recycled rom-com tropes.
British babies born in the same hospital in the first minutes of New Years' Day 1990 meet again on their 30th birthdays.
"Look, Shaylene, I'm sure you've seen Sleepless in Seattle? You know that bit where Meg Ryan is supposed to meet Tom Hanks at the top of the Empire State Building on Valentine's Day? Well I'm in a situation a bit like that," pleads the likable but self-defeating pie entrepreneur Minnie Cooper during the climax of Cousens' debut. Yes, she certainly is, having struggled for more than 300 pages through every rom-com trope in the book. Her story begins on New Years' Eve 1989, when her mother, Connie, goes through labor with a waifish but well-heeled wardmate named Tara Hamilton. One of them will win a cash prize for giving birth to the first baby of 1990, and wouldn't you know, it's the rich lady who doesn't need the money. Not only that, she steals the lucky name Connie has chosen for her child: Quinn. Furious, the Coopers decide instead on Minnie, not realizing that this will subject their daughter to a lifetime of self-esteem–crushing car jokes. On the other hand, Minnie needs her self-esteem crushed so that when she runs into the rich, handsome, mensch-y Quinn Hamilton on their shared birthday 30 years later she can spend a year spontaneously generating one mistaken impression after another so the two don't just accept what fate so clearly intends for them. While Quinn and Minnie don't stray far from type, they are surrounded by an entertaining supporting cast—Minnie's irritating punster boyfriend; her amateur horologist dad; her employees at the not-for-profit pie bakery, particularly a platinum blond wastrel named Fleur. Mother Connie is a bit of a problem, though. Seething with resentment about the stolen name and other injustices, she's a cold and negative mother who passes the chip on her shoulder to her daughter—until something happens offstage and she turns into a completely different person. Not sure what movie this comes from, but it doesn't work.
A cozy quilt of recycled rom-com tropes.Pub Date: Dec. 1, 2020
ISBN: 978-0-593-19120-0
Page Count: 352
Publisher: Putnam
Review Posted Online: Dec. 10, 2020
Kirkus Reviews Issue: Jan. 1, 2021
SEEN & HEARD
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
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