Another giddy ride, with no end in sight.
Plucky über-consumer Rebecca Brandon has her work cut out for her as mum to tiny terror Minnie.
With a job she loves (personal shopper, natch), happy marriage and an adorable little daughter, Becky Brandon certainly seems to have it all. Sure, two-year-old Minnie is a bit of a handful. Her spirited behavior gets them banned from various shopping malls. And Becky’s PR whiz hubby Luke might be a tad overworked and distracted. But things are generally good, until the global financial crisis has to come along and really put a damper on Becky’s lifestyle. So as a money-saving concession to her husband, she agrees to stop shopping until she has worn everything in her wardrobe at least three times. Torture! She also throws herself into a new project—planning an over-the-top surprise birthday party for Luke. With visions of fire-eaters, jugglers and a live band, it is clear that Becky’s desires don’t mesh with financial reality. But when has that ever stopped her? She enlists Luke’s trusted assistant Bonnie into her schemes, and tries to “barter” party supplies for slightly used Marc Jacobs bags. Meanwhile, she sees an opportunity at work and starts to offer a “discreet” shopping service for her wealthy clients, where she disguises their purchases in computer paper boxes. It is a big hit, although she neglects to tell her bosses about the subterfuge. And then Luke’s estranged mother, the imperious (and fabulously rich) Elinor, reappears and wants to have a relationship with her granddaughter. The two meet, but well-meaning Becky cannot tell Luke about this, adding to all the many things she is keeping from him. But he has a few secrets as well, and getting him to his own party will take all of Becky’s considerable skills. Chock-full of the kind of sitcom shenanigans Kinsella’s fans expect, this latest in the series (Shopaholic & Baby, 2007, etc.) keeps the silly plot moving along. A little more growth from her iconic heroine, though, might have won over new readers as well.
Another giddy ride, with no end in sight.Pub Date: Sept. 21, 2010
ISBN: 978-0-385-34204-9
Page Count: 432
Publisher: Dial Press
Review Posted Online: July 13, 2010
Kirkus Reviews Issue: Aug. 1, 2010
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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