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RAVANA AND THE MAGIC STONE

From the Ganesha series , Vol. 3

A bland rendition, without much sense of the popular story’s usual course or cultural milieu.

In this reworked folk tale, clever Ganesha disguises himself as a shepherd boy to keep an evil king from becoming even more dangerously powerful.

Related in lumbering rhyme and blocky cartoon illustrations, the episode is not only abbreviated, but robbed of features that might have increased its appeal to young readers. Described as a ferocious, many-headed demon king in the Ramayana (for instance) but depicted here as a hunky but conventional, pale-skinned villain with a Snidely Whiplash mustache, Ravana sets out to secure a stone promised by Shiva that will give its bearer immortality and great power. Shiva reluctantly hands it over, with the proviso that once it touches the ground it will be forever immovable. Commenting “I know, he has his evil plans / to take over the world, / and capture all lands,” the elephant-headed Ganesha transforms himself into a lad and volunteers to hold the stone for a count of three while Ravana rests and prays (or in other versions, pees). As if. Down the stone drops, “…and Ravana’s dreams of fame and glory, / are gone forever. That’s the end of this story.” In traditional versions the end isn’t quite so abrupt, and the “stone” is actually a lingam or sacred phallus that is here only a glowing, egg-shaped crystal—though at least it does assume an elongated shape in the final scene. A small sheet of stickers and step-by-step instructions for drawing the portly blue pachyderm are appended.

A bland rendition, without much sense of the popular story’s usual course or cultural milieu. (Graphic folk tale. 5-8.)

Pub Date: June 7, 2016

ISBN: 978-93-81182-24-6

Page Count: 24

Publisher: Campfire

Review Posted Online: March 15, 2016

Kirkus Reviews Issue: April 1, 2016

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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THE TOAD

From the Disgusting Critters series

A light dose of natural history, with occasional “EWWW!” for flavor

Having surveyed worms, spiders, flies, and head lice, Gravel continues her Disgusting Critters series with a quick hop through toad fact and fancy.

The facts are briefly presented in a hand-lettered–style typeface frequently interrupted by visually emphatic interjections (“TOXIN,” “PREY,” “EWWW!”). These are, as usual, paired to simply drawn cartoons with comments and punch lines in dialogue balloons. After casting glances at the common South American ancestor of frogs and toads, and at such exotic species as the Emei mustache toad (“Hey ladies!”), Gravel focuses on the common toad, Bufo bufo. Using feminine pronouns throughout, she describes diet and egg-laying, defense mechanisms, “warts,” development from tadpole to adult, and of course how toads shed and eat their skins. Noting that global warming and habitat destruction have rendered some species endangered or extinct, she closes with a plea and, harking back to those South American origins, an image of an outsized toad, arm in arm with a dark-skinned lad (in a track suit), waving goodbye: “Hasta la vista!”

A light dose of natural history, with occasional “EWWW!” for flavor . (Informational picture book. 5-7)

Pub Date: July 5, 2016

ISBN: 978-1-77049-667-5

Page Count: 32

Publisher: Tundra Books

Review Posted Online: April 12, 2016

Kirkus Reviews Issue: May 1, 2016

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