When an Ojibwe family moves, they bring a beloved spruce sapling with them.
As Francis grows up, so does Gaawaandagoonce (an Ojibwemowin word meaning "little spruce tree"). The sapling—gendered female in the text—is planted in the center of Grandma’s garden when Francis is just a baby. Both tree and child put down roots on the shore of Gichigamiing, or Lake Superior, building their connection to each other and to the land. Francis’ grandparents are slowing down in their old age, and it’s now time for Grandma, Grandpa, and Francis to leave their beloved home. They decide to bring Gaawaandagoonce with them. Grandpa and Francis gently dig up the tree, disentangle her roots from those of the trees surrounding her, and wrap the well-watered transplant in a blanket. Together, the family and Gaawaandagoonce replant in a new place. “At first, change is hard on trees—and on people too.” Drouillard, a Grand Portage band of Ojibwe descendant, and Gardiner, a member of the Chaubunagungamaug band of Nipmuck Indians, expertly weave together Francis and Gawaandagoonce’s grief and growth, conveying the heartbreak and resilience that often accompany transition while honoring Ojibwe values and language. Rendered in gouache and colored pencil images, Gardiner’s artwork relies on a subdued palette and spare compositions, evoking feelings of tenderness and emphasizing the importance of connection and having space to adapt.
A poignant illustration of how our roots keep us grounded amid change.
(author’s note, information on white spruce trees, Ojibwemowin glossary) (Picture book. 4-9)