A worthwhile primer for adoring acolytes, but too much P.T. Barnum and not enough behind-the-scenes insights for a broader...
Comic book legend Lee offers fans a graphic autobiography in his inimitably jaunty style.
There’s no denying Lee’s place in the pop-culture pantheon. As the writer and co-creator of Spider-Man, Iron Man, the X-Men, the Fantastic Four, the Incredible Hulk, and numerous other spandex-clad superheroes, he not only influenced subsequent generations of writers and artists, but also laid the foundation for the multibillion-dollar movie franchises those characters have since spawned. Along with co-writer David (Artful: A Novel, 2014, etc.) and artist Doran (The Vampire Diaries, 2014, etc.)—whose detailed linework is superb—Lee recounts his hardscrabble youth in Manhattan; his entry into a nascent comic-book industry still dominated by horror, Westerns, and romances; military service in World War II, during which he was responsible for the creation of a particularly memorable poster reminding soldiers to do their duty to get treated for venereal disease; and rise from intern to icon as superheroes came to dominate the comics landscape (in large part due to Lee’s efforts). After years of being accused of perhaps claiming too much credit for his creations, Lee casts ample spotlight on artists like Jack “King” Kirby (X-Men, Fantastic Four) and Steve Ditko (Spider-Man), who played equally important roles in developing the heroes that are so ubiquitous today, but he makes sure the light shines brightest on himself. The author’s influence on the comics industry cannot be overstated; even if he sometimes gets too much credit for creating characters and stories, he doesn’t get enough recognition for being the driving force behind connecting those characters to an audience hungry for flawed human heroes. One might argue, however, that among his myriad creations, one of his most impressive—and persuasive—may very well be the legendary Stan Lee himself.
A worthwhile primer for adoring acolytes, but too much P.T. Barnum and not enough behind-the-scenes insights for a broader audience.Pub Date: Nov. 3, 2015
ISBN: 978-1-5011-0772-6
Page Count: 192
Publisher: N/A
Review Posted Online: Aug. 16, 2015
Kirkus Reviews Issue: Sept. 1, 2015
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
