by Stanislaw Lem ‧ RELEASE DATE: Jan. 1, 1984
Ten essays, 1971-83: ranging from autobiography through analyses of the underpinnings of sf to examinations of specific authors and works—delivered in thunderous yet calculated tones, and a welter of academic polysyllables. The autobiographical piece is most engaging and revealing—with Lem candidly discussing his upbringing, his Jewish heritage, the German and Russian occupations of Poland, his own sf. Elsewhere, he demonstrates his formidable intellect and his self-imposed conceptual limitations: he finds fiction without intellectual challenge boring (and has no patience with the notion of fiction as entertainment); in his view, sf works in which neither the objects nor the ideas have any basis in reality are merely "empty games." Later, however, Lem cogently discusses sf's various time-travel motifs—notwithstanding his previous denunciation of "empty games" where "impossible time-travel machines are used to point out impossible time-travel paradoxes." "The primary unsolved problem" of sf, he writes, is "the lack of a theoretical typology of its paradigmatic structures"—yet he fails to demonstrate why this lack is so damaging. On the incestuous nature of Western sf, he's devastating: "critiques are not produced independently, but are written by either the authors or the editors of anthologies, who evaluate each other's works." (He also blasts publishers and editors for camouflaging advertising as criticism.) For all these reasons, sf is trashy and apt to remain so. Moving on to specifics, Lem shows himself to be a penetrating but often arbitrary and petulant critic. Just about the only Western sf author he approves of (Ballard and Bradbury rate a maybe) is Philip K. Dick—who "tries to probe the neglected, latent, untouched, as-yet-unrealized potentialities of human existence." A. E. van Vogt's work is condemned as "stupid lies" without a shred of evidence or analysis; Borges, Lem determines, "has suffered from a lack of a free and rich imagination." He criticizes Daniel Keyes' Flowers for Algernon for what Leto thinks Keyes' should have written; the Strugatsky brothers' Roadside Picnic—which Leto not only analyzes brilliantly, but finds enjoyable—comes in for similar treatment. Clearly, there's some ax-grinding going on. In sum: guaranteed to offend and provoke.
Pub Date: Jan. 1, 1984
ISBN: N/A
Page Count: -
Publisher: Harcourt Brace Jovanovich
Review Posted Online: Sept. 27, 2011
Kirkus Reviews Issue: Jan. 1, 1984
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by Stanislaw Lem ; illustrated by Jon J Muth ; translated by Michael Kandel
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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by Chris Gardner with Quincy Troupe ‧ RELEASE DATE: June 1, 2006
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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