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MARGHERITA DOLCE VITA

An elegant little piece of dark comedy.

This is the first of the prolific Italian author’s novels to be published in English—a cause for celebration.

This inventive satire stars 15-year-old Margherita, as charismatic, though far wiser, than British author Sue Townsend’s popular creation Adrian Mole. She lives with her odd family on the outskirts of the city, not quite in the country, rather a place of both meadows and smog. She, with her beloved mongrel Sleepy, wiles away the days writing just the first line to assuredly brilliant novels and visiting Grandpa Socrates in the attic (he is having an affair with a ghost—Margherita can hear them dancing at night). Margherita stands in awe of her young, genius brother Erminio and the older Giacinto, a pimply football hooligan. Mother Emma is addicted to TV soaps and imaginary smoking, while father Fausto is a professional retiree who collects (and sometimes fixes) junk. A contented bunch all until Margherita’s happily imperfect idyll is altered when a black-glass cube house is built and the new neighbors move in. The Del Bene family, including a ferocious dog (even Sleepy has a rival) undergoing Pavlovian attack -training, is marked by frivolity and foolishness. In a matter of days, Margherita’s family is strikingly transformed by the Del Benes—they become a shinier, greedier, slightly drugged version (this would be Mama suffering the ill effects of cellulite cream) of their former selves, and worse yet, Papa is now partners with Frido Del Bene in the always-suspicious business of import-export. Margherita is not fooled by the perfection of their plastic grass and purified air. Though a little fat and with a bad heart, she knows it’s up to her to save her family, and all those others the Del Benes are attempting to eliminate—gypsies, immigrants, potential communists, the mentally ill and anyone else wary of the black-boot march of an insipid conformity.

An elegant little piece of dark comedy.

Pub Date: Nov. 1, 2006

ISBN: 1-933372-20-6

Page Count: 228

Publisher: Europa Editions

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2006

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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FIREFLY LANE

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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