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I DREAMT I WAS A DINOSAUR

Blackstone uses her old standby style of inconsistent rhyming verse to describe the beasts a young boy met when he dreamt he was a dinosaur. The animals are anthropomorphized with names, and little is to be learned about them from the text itself, which lacks a storyline: “Here is Sammy Stegosaurus / Busy foraging for food. / He likes Kay Camarasaurus, / But she’s in a grumpy mood.” While not all the dinosaurs are identified within the text, there is picture dictionary in the back with a pronunciation key and a few facts about each prehistoric beast. Beaton’s illustrations are what make this stand out from others on the shelf. They are a collection of materials: Felt makes up the dinosaurs and backgrounds, with antique fabrics, sequins, beads, buttons and bric-a-brac lending details. Children will take pleasure in identifying the various materials, as well as the textural element their inclusion adds to the pictures. Enjoyable for the illustrations, not for the mediocre text. (Picture book. 2-4)

Pub Date: Oct. 1, 2005

ISBN: 1-84148-238-2

Page Count: 32

Publisher: Barefoot Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2005

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IN THE WIND

A gentle outing for children who are ready for stories of everyday life rather than just objects to name.

A brief rhyming board book for toddlers.

Spurr's earlier board books (In the Garden and At the Beach, both 2012; In the Woods, 2013) featured an adventuresome little boy. Her new slice-of-life story stars an equally joyful little girl who takes pleasure in flying a new kite while not venturing far off the walkway. Oliphant's expressive and light-filled watercolors clearly depict the child's emotions—eager excitement on the way to the park, delight at the kite's flight in the wind, shock when the kite breaks free, dejection, and finally relief and amazement. The rhymes work, though uneven syllable counts in some stanzas interrupt the smooth flow of the verse. The illustrations depict the child with her mass of windblown curls, brown skin, and pronounced facial features as African-American. Her guardian (presumably her mother) is also brown-skinned. It is refreshing to see an African-American family settled comfortably in a suburban setting with single-family homes and a park where the family dog does not need to be leashed.

A gentle outing for children who are ready for stories of everyday life rather than just objects to name. (Board book. 2-4)

Pub Date: March 1, 2016

ISBN: 978-1-56145-854-7

Page Count: 22

Publisher: Peachtree

Review Posted Online: March 1, 2016

Kirkus Reviews Issue: July 1, 2016

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THE THREE BILLY GOATS GRUFF

In this entry in the Growing Tree series, the publisher copyrights the text, while Carpenter provides illustrations for the story; here, the three billy goats named Gruff play on a nasty troll’s greed to get where the grass is greenest. Logic has never been the long suit of this tale: Instead of letting the two smaller billy goats be terrorized by the mean and ugly troll, children wonder, why doesn’t the biggest billy goat step in sooner? It’s still a good introduction to comparatives, and the repetitiveness of the story invites participation. The artwork matches the story: The characters are suitably menacing, quivering, or stalwart, and the perspectives allow readers to be right there in the thick of the action. (Picture book. 2-4)

Pub Date: June 30, 1998

ISBN: 0-694-01033-2

Page Count: 24

Publisher: HarperFestival

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 15, 1998

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