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THE VERY GRUMPY DAY

The message may never grow old, but the artwork and language will.

The day dawns sweet, but a big hairy bear gets up on the wrong side of the bed and straight into Grumpsville.

In newcomer Jones’ story of mood contagion, Mouse is inspired by the glorious morning to make cupcakes, one of which he will bring to Bear, his sweet-toothed friend. But Bear isn’t home when Mouse arrives to deliver the cupcake, so Mouse leaves it on Bear’s table. Bear, readers learn, is out and about bellyaching. His boots are too big and too uncomfortable, which causes him to stomp, collapsing Mole’s tunnel, which causes Mole to fling his shovel in disgust, which causes Hedgehog to trip and roll over the shovel and down the hill, where he inadvertently sticks a spine into Fox’s bum, which causes Fox to hurl his groceries in the air, which land on the squirrel family, whose ruckus wakens Owl’s owlets. “Bicker! Squabble!” Understandably, the weather turns foul, forcing Bear home, where he finds the cupcake, cracks a smile, and offers an apology, which cascades through the forest as the others follow suit. It’s a nicely concrete demonstration of what goes around, comes around. Less effective is the saccharine artwork, which telegraphs every beat. And Jones’ language feels likewise forced, alternately trying too hard—“Mouse tappity-tap-tapped on Bear’s door”—and simplistic—“Now everyone was in a BIG BAD mood.”

The message may never grow old, but the artwork and language will. (Picture book. 3-7)

Pub Date: March 1, 2016

ISBN: 978-1-68010-012-9

Page Count: 32

Publisher: Tiger Tales

Review Posted Online: Jan. 8, 2016

Kirkus Reviews Issue: Jan. 15, 2016

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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THE LITTLE GHOST WHO WAS A QUILT

From the Little Ghost Quilt Book series

Halloween is used merely as a backdrop; better holiday titles for young readers are available.

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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