by Stella Partheniou Grasso ; illustrated by Christine Battuz ‧ RELEASE DATE: March 6, 2018
This good-hearted alternative to those five little monkeys is as hardworking as its subjects.
Building a dam can take all day…and there are so many distractions.
“Five busy beavers building up a dam, / closing off the river where the salmon swam.” They gnaw down trees and place them in the stream until…“Along came a muskrat, / who wanted to play. / And one little beaver swam away.” Four remaining beavers continue taking down different species of trees; along comes a heron, and then there are three. They drag logs to the dam site…until a line of “chorus frogs” distracts one, and the work crew is down to two. The penultimate beaver waddles off with a turtle who wants to play, and the last, dedicated beaver works until it’s so dark a firefly is needed to light the way back to the lodge. The other four beavers have a plan (with their new friends) to apologize to their hardest worker with a little surprise thank-you party. Grasso’s fact-filled construction tale, originally published in Canada in 2015, is equally well-suited for storytimes and budding naturalists. The details in her counting rhyme are supplemented with notes at the close on each species encountered. Battuz’s happy, lightly anthropomorphized beavers (no construction hats here) enjoy both work and play in the textured, full-bleed illustrations throughout.
This good-hearted alternative to those five little monkeys is as hardworking as its subjects. (Picture book. 3-7)Pub Date: March 6, 2018
ISBN: 978-1-5107-2146-3
Page Count: 32
Publisher: Sky Pony Press
Review Posted Online: Dec. 2, 2017
Kirkus Reviews Issue: Jan. 15, 2018
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by Sybil Rosen ; illustrated by Camille Garoche ‧ RELEASE DATE: March 16, 2021
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
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by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Dec. 24, 2019
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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BOOK REVIEW
by Drew Daywalt ; illustrated by Oliver Jeffers
BOOK REVIEW
by Drew Daywalt ; illustrated by Oliver Jeffers
BOOK REVIEW
by Drew Daywalt & illustrated by Oliver Jeffers
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