Child readers, in wartime or not, will give their teddies an extra, grateful squeeze.
A brother and sister evacuated from England during World War II gather strength from a tiny teddy bear.
Grace and William are sent from their home to live with a host family in Canada until the war is over. On arrival, the pair meets Aileen, a nurse who travels with all of the children to make sure they get to their Canadian families safely. Grace and William are scared and homesick, but a small, peanut-shaped bear from Aileen’s pocket helps to comfort them. Teddy narrates the story, which is a bit jarring at first, but Teddy’s gentle tone ends up bringing readers just as much comfort as it does Grace and William. Teddy is the hero from the creative team’s previous real-life war story, A Bear in War (2009), in which a young Aileen Rogers sends the bear to her father stationed in Belgium during World War I. The story is inspired by Rogers’ diary, kept 25 years later while working as a nurse. Teddy might not have had this exact adventure, but the tale truly shows the reassuring presence of just the right toy. Deines’ warm oil paintings, suffused with light, are as tender as Teddy’s tiny embrace.
Child readers, in wartime or not, will give their teddies an extra, grateful squeeze. (afterword) (Picture book. 5-10)Pub Date: Oct. 1, 2014
ISBN: 978-1-927485-13-2
Page Count: 32
Publisher: Pajama Press
Review Posted Online: Aug. 11, 2014
Kirkus Reviews Issue: Sept. 1, 2014
BOOK REVIEW
Absolutely wonderful in every way.
A long-forgotten chapter in New York City history is brilliantly illuminated.
In mid-19th-century New York, horses and horse-drawn vehicles were the only means of transportation, and the din created by wheels as they rumbled on the cobblestones was deafening. The congestion at intersections threatened the lives of drivers and pedestrians alike. Many solutions were bandied about, but nothing was ever done. Enter Alfred Ely Beach, an admirer of “newfangled notions.” Working in secret, he created an underground train powered by an enormous fan in a pneumatic tube. He built a tunnel lined with brick and concrete and a sumptuously decorated waiting room for passenger comfort. It brought a curious public rushing to use it and became a great though short-lived success, ending when the corrupt politician Boss Tweed used his influence to kill the whole project. Here is science, history, suspense, secrecy, and skulduggery in action. Corey’s narrative is brisk, chatty, and highly descriptive, vividly presenting all the salient facts and making the events accessible and fascinating to modern readers. The incredibly inventive multimedia illustrations match the text perfectly and add detail, dimension, and pizazz. Located on the inside of the book jacket is a step-by-step guide to the creative process behind these remarkable illustrations.
Absolutely wonderful in every way. (author’s note, bibliography, Web resources) (Informational picture book. 6-10)Pub Date: March 8, 2016
ISBN: 978-0-375-87071-2
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Dec. 21, 2015
Kirkus Reviews Issue: Jan. 1, 2016
Weatherford and Christie dazzlingly salute African-Americans’ drive to preserve their dignity and pride.
Count down the days until Sunday, a day for slaves in New Orleans to gather together and remember their African heritage.
In rhyming couplets, Weatherford vividly describes each day of nonstop work under a “dreaded lash” until Sunday, when slaves and free blacks could assemble in Congo Square, now a part of New Orleans’ Louis Armstrong Park and on the National Register of Historic Places. Musicians “drummed ancestral roots alive” on different traditional instruments, and men and women danced. They also exchanged information and sold wares. The poetry is powerful and evocative, providing a strong and emotional window into the world of the slave. Christie’s full-bleed paintings are a moving accompaniment. His elongated figures toil in fields and in houses with bent backs under the watchful eyes of overseers with whips. Then on Sunday, they greet one another and dance with expressively charged spirits. One brilliant double-page spread portrays African masks and instruments with swirling lines of text; it is followed by another with four dancers moving beautifully—almost ethereally—on a vibrant yellow collage background. As the author notes, jazz would soon follow from the music played in Congo Square.
Weatherford and Christie dazzlingly salute African-Americans’ drive to preserve their dignity and pride. (foreword, glossary, author’s note) (Picture book. 5-9)Pub Date: Jan. 5, 2016
ISBN: 978-1-4998-0103-3
Page Count: 40
Publisher: Little Bee Books
Review Posted Online: Oct. 13, 2015
Kirkus Reviews Issue: Nov. 1, 2015
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