It’s all harmless summer fun, but it has the feeling of the retread that it is; perhaps next year Libby should get a...
History-nerd extraordinaire Libby Kelting returns for another summer of costumed drama.
Having spent the previous summer in colonial garb (Pilgrims Don’t Wear Pink, 2012), Libby doesn’t find it too hard to agree to spend the months before college on campaign with Civil War re-enactors, in partnership with her gay, designer BFF, Dev. They will be sutlers to the Confederate armies (who have a way better sense of style than the Yankees). Libby will model the gowns; Dev will take orders and sew them up when they get home; they will make buckets of dough. The only problem? Libby will have to spend the summer far from her boyfriend, aspiring journalist Garrett. Once in the South, Libby and Dev meet their sponsors, a canny businesswoman and her adorable, history-loving son, Beau, an officer with the regiment they’re attached to—and whose family is bedeviled by a ghost. Hijinks and romantic anxiety ensue. The merriment is compounded by a troop of overeager Boy Scouts, an evil land developer and the arrival of Garrett, who uses the excuse of the ghost to extend his internship with the Boston Globe to the battlefields of the Deep South. The ghost plot feels tired and Scooby-Doo–ish—in fact, Scooby is explicitly invoked, joining a host of other pop-culture references that range from Glee to Twilight.
It’s all harmless summer fun, but it has the feeling of the retread that it is; perhaps next year Libby should get a different sort of summer job. (Fiction. 12 & up)Pub Date: June 4, 2013
ISBN: 978-0-547-97258-9
Page Count: 240
Publisher: Graphia
Review Posted Online: April 2, 2013
Kirkus Reviews Issue: May 1, 2013
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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