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HEALTHY FOODS FROM A TO Z / COMIDA SANA DEL LA A AL LA Z

COMIDA SANA DE LA A AL LA Z

Readers may find themselves hungry when they finish.

Recognition and identification are the goals of this bilingual alphabet book that combines emotional literacy with nutrition.

Photographer Comet presents "faces" made of photo collaged fruits, vegetables, grains, beans, dairy and soy foods and key spices. The multidisciplinary approach encourages children to learn letters and food names in both languages while interpreting each edible expression. While many foods widely recognized across the United States are included, some newer varieties, such as the jícama root and kiwano, are also mentioned. On each page, photos of the food are isolated and identified, and they also form the constituent parts of a face. Foods identified by their English names (huckleberries, honeydew) appear on the left, and those identified by their Spanish names (higo, hierbabuena) are on the right; the appropriate translations appear beneath each word or phrase in parentheses. Some letters are combined on a page, as with Q R (quince, queso) and X Y Z (zucchini, xonocostle). The array of faces is followed by an activities section that encourages children to create their own food-centered faces through a selection of shapes fitted to a face template. A bilingual list of 10 additional projects such as an edible food bouquet and herb growing and healthy-food facts in both languages round out this educational guide.

Readers may find themselves hungry when they finish. (Picture book. 4-7)

Pub Date: Sept. 1, 2012

ISBN: 978-0-9834983-1-5

Page Count: 32

Publisher: Moonstone Press LLC

Review Posted Online: July 18, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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