A candid portrait of athletes’ endurance and women’s friendships.
Six young women, competitive cross-country runners, strain to keep their lives on track.
On a Massachusetts college campus in 1992, there are no cheerleaders for the women’s cross-country team. The student-athletes have each other, and they are classic teammates: yoked frenemies and diehard loyalists. A collective narrator takes inventory of the top six: “Chloe is the fastest, and Kristin is the prettiest, and Liv has a boyfriend, and Harriet is the smartest, the most ambitious, and Patricia sees through the bullshit, and Danielle cares the most. She is the most responsible.” (Harriet is also a lesbian, and her subplot is worthy of its own book.) All crave food—unsurprising since the coaches do regular weigh-ins—and both disordered eating and binge-drinking plague the team. Reents focuses on the characters’ personal and athletic pain, so we don’t know much about their classes or career plans. But the runners, who are sharp and clever, take spirited positions on sexual politics, slippery language, Anita Hill, and Andrea Dworkin. Over scenic practice runs and social breaks, subsets of the six try to solve each other’s problems, with mixed results. Given this tight focus, we rarely glimpse coaches, parents, professors, or non-jock friends. Team captain Danielle is mostly on her own as she tries to steer her teammates toward top performance, good moods, and low drama. Of course, she too is a college student with pressures, and carries her own regrets. The story is told in three parts, two during the season and one as a flashback to Kristin’s previous summer in Boise, where she worked as a barista and met a suspiciously charming man in his late 20s. Here, Reents’ writing ramps up, and the stakes are high. Her descriptions of the Idaho landscape are bewitching, and the dialogue is rivetingly strange. A cross-country veteran herself, Reents brings suspense and precision to the running scenes, putting the reader in the center of the action. The novel’s resolution is anticlimactic, but the heroism of women with a common cause, in a world of men who think they know best, makes for a moving narrative.
A candid portrait of athletes’ endurance and women’s friendships.Pub Date: Aug. 26, 2025
ISBN: 9780593448069
Page Count: 336
Publisher: Hogarth
Review Posted Online: May 29, 2025
Kirkus Reviews Issue: July 1, 2025
BOOK REVIEW
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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