In the ``Creative Minds'' series, the life of an abolitionist and women's rights advocate. Inspired in part by her hard-working mother's subservient position, Stone (1818-93) was always a rebel; she left Mount Holyoke after ``Mary Lyon told her that abolitionist papers would not be permitted''; and, when chosen to write an essay for her Oberlin graduation, she refused since, as a woman, she would not be allowed to read it herself at the ceremony. Stone went on to become a persuasive orator, her name frequently linked with Elizabeth Cady Stanton and Susan B. Anthony. Long determined not to lose her independence by marrying, she found a sympathetic partner in Dr. Elizabeth Blackwell's brother Henry; among other firsts was keeping her own name. McPherson's account is an undistinguished but adequate, straightforward summary. Unfortunately, though, Liedahl debuts with sturdy, grim b&w portrayals; even the minor characters here look terminally dogged, perpetuating the stereotype of humorless 19th-century feminists. Still, with no other biography of Stone available for children, this fills a gap. Bibliography. (Biography. 8-11)
Pub Date: Dec. 15, 1992
ISBN: 0-87614-740-6
Page Count: 64
Publisher: Carolrhoda
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1992
paper 1-57505-370-5 In this valuable addition to the On My Own Biography series of easy readers, Lowery (Georgia O’Keeffe, 1996, etc.) renders an intriguing and lucid portrait of the man often referred to as the most celebrated artist of the 20th century. The book begins with young Picasso puzzling over math equations. Finding math difficult, he came up with an inventive alternative, swirling and bending numbers on the page until they became fanciful creations. As a boy, Picasso was often sent to a “cell” as punishment for his lack of academic focus, but there he found the long hours nothing but pleasant, doing just what he loved best, “drawing, drawing, drawing.” This book takes readers on a journey through the highlights of Picasso’s life, visiting his Blue Period, his Rose Period and lingering over cubism. Lowery also makes clear Picasso’s mercurial and tempestuous nature, describing his swings from flamboyant rage to ecstatic joy. She aptly demonstrates how Picasso’s art became an expression of his character and his character an extension of his art. In pleasing textures of oil on canvas and warm hues, Porter’s accompanying illustrations quite nicely echo the art of its subject. (photos, chronology) (Biography. 8-11)
Pub Date: Nov. 30, 1999
ISBN: 1-57505-331-4
Page Count: 44
Publisher: Carolrhoda
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1999
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
With but a light sprinkling of names and dates, Myers condenses his Malcolm X: By Any Means Necessary (1993) to picture- book length. Myers takes readers through his subject’s childhood and turbulent career, pausing for significant episodes (such as a white teacher’s suggestion that he’d be better off studying carpentry than law), supplying samples of his vivid rhetoric, and tracing his movement toward visions of a more inclusive, less violent revolution. Placing realistic portraits of X and other icons of the civil rights movement against swirling backdrops of faces and street scenes, Jenkins captures a sense of tumultuous times. What emerges most clearly is a portrait of a complex, compelling spokesman who was growing and changing up to the moment he was cut down. (Picture book/biography. 6-8)
Pub Date: Jan. 31, 2000
ISBN: 0-06-027707-6
Page Count: 32
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Nov. 15, 1999
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