Next book

I CAN CHANGE EVERYTHING

Positive—but not quite powerful.

A determined tot is ready for change.

This youngster, with a shock of brown hair, pink skin, and big, bold eyes, can change (almost) anything. Strong first-person narration radiates purposeful strength. Basic, everyday tasks such as getting dressed (“I can change the clothes I wear. / I can change my socks and shoes”) lead to small victories: “I can change a seed into a tree” (with the help of a watering can). Larger circumstances beyond a small child’s control require a bit more imagination: “I can change a rainy day into a day at sea.” (A cardboard boat sails through a puddle.) Taylor, co-founder of the Progressive Change Campaign Committee, knows about big ideas. Alas, too many ideas are strung together in this package, which muddles the intended empowerment message. The narration attempts to flow from concrete changes to more abstract ones: “I can change my feelings into words. / I can change ideas into things.” However, the platitudinous ending —“But I can change the world!”—falls flat. Occasional rhyme (“I can change myself from being shy. / I can make myself say hi”) results in choppy scansion. Brenlla’s retro art helps to enliven this list of buoyant encouragements.

Positive—but not quite powerful. (Picture book. 3-6)

Pub Date: Nov. 5, 2019

ISBN: 978-1-947492-32-5

Page Count: 34

Publisher: Strong Arm Press

Review Posted Online: Sept. 28, 2019

Kirkus Reviews Issue: Oct. 15, 2019

Next book

CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

Next book

IN THE SKY AT NIGHTTIME

A tender bedtime tale set in a too-seldom-seen northern world.

A quiet book for putting young children to bed in a state of snowy wonder.

The magic of the north comes alive in a picture book featuring Inuit characters. In the sky at nighttime, snow falls fast. / … / In the sky at nighttime, a raven roosts atop a tall building. / … / In the sky at nighttime, a mother’s delicate song to her child arises like a gentle breeze.” With the repetition of the simple, titular refrain, the author envisions what happens in a small town at night: Young children see their breath in the cold; a hunter returns on his snowmobile; the stars dazzle in the night sky. A young mother rocks her baby to sleep with a song and puts the tot down with a trio of stuffed animals: hare, polar bear, seal. The picture book evokes a feeling of peace as the street lamps, northern lights, and moon illuminate the snow. The illustrations are noteworthy for the way they meld the old world with what it looks like to be a modern Indigenous person: A sled dog and fur-lined parkas combine easily with the frame houses, a pickup truck, power lines, and mobile-hung crib. By introducing Indigenous characters in an unremarkably familiar setting, the book reaches children who don’t always see themselves in an everyday context.

A tender bedtime tale set in a too-seldom-seen northern world. (Picture book. 3-5)

Pub Date: Oct. 1, 2019

ISBN: 978-1-77227-238-3

Page Count: 36

Publisher: Inhabit Media

Review Posted Online: July 27, 2019

Kirkus Reviews Issue: Aug. 15, 2019

Close Quickview