by Stephen Axel Anderson & illustrated by Greg Couch ‧ RELEASE DATE: March 1, 2001
A fox, a moth, an owl, a mouse, and a frog—night creatures all—fight with each other over their definitions of the moon. The fox says it’s “a rabbit, swift and large and glowing;” the moth that it’s a big cocoon “where moths of legend are born;” the owl that it’s “a window in a midnight room;” the mouse that it’s “a seed in endless bloom;” and the frog that it’s “a lily pad for froggy croons.” To settle their quarrel, they visit the Man of Science, who lives “alone with his thoughts in a tower high enough to almost touch the moon.” The Man of Science reads to them from a “squarish book,” but the animals do not find the moon in its inky pages, and return sadly home, each holding to his or her own definition. The fox speaks for all of them when he says, “The Man says it’s made of letters—I know it’s more the spaces in between.” The concepts and vocabulary in this sometimes disconcertingly rhyming text are overly abstract, complex, and metaphorical for the audience of three- to seven-year-olds for whom the book and its illustrations are targeted, although there may somewhere be a five-year-old with a philosophical bent to whom the book will appeal. The illustrations, too, convey mixed messages with their combination of bold and sophisticated colors and patterns and their comically caricatured animals. The white words on black backgrounds are placed to the far left or right of each opening, leaving no room for them to be spaced in lines that reflect their rhythmic patterns. Well-intentioned text—but it misses its mark. (Picture book. 3-7)
Pub Date: March 1, 2001
ISBN: 0-399-23425-X
Page Count: 32
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2001
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by Sybil Rosen ; illustrated by Camille Garoche ‧ RELEASE DATE: March 16, 2021
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
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by Aaron Reynolds ; illustrated by Peter Brown ‧ RELEASE DATE: Aug. 21, 2012
Serve this superbly designed title to all who relish slightly scary stories.
Awards & Accolades
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New York Times Bestseller
IndieBound Bestseller
Caldecott Honor Book
Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.
Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.
Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)Pub Date: Aug. 21, 2012
ISBN: 978-1-4424-0297-3
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: Aug. 1, 2012
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