The boy's hat is wondrous and needed; the book is good but not essential.
A young boy's versatile hat is the only possession he's got and the only one he needs.
Sitting on a hill surrounded by palm trees, a “boy who had everything” awakens to find all of his possessions gone, from his sewing needle to his birds to his orange stilts. Even his shoes appear to be missing. All that's left are the clothes on his body and a green hat next to him in the morning sun. What follows is a journey to find his belongings during which the boy discovers the many uses of the hat—the thing he now values the most—and what's really important. The unnamed boy takes “a thousand more steps” among “ten thousand strangers” on a quest that tries hard to seem mythical. There is a false note to the dream sequence leading to the muddled ending that leaves the story’s moral unclear. Debut author Barr keeps the language simple and lyrical. Watercolor illustrations vibrating with wobbly lines suggest life and motion in unidentified places that include pillars in ruins and a vibrant outdoor market. The boy, portrayed as having light brown skin and living near a desert, immediately turns to begging with the hat when he can't find help, which could be viewed as stereotypical. The last double-page spread, however, depicting the boy on stilts clomping into the distance wearing the hat while his avian friends play in a birdbath, is a joyous conclusion that defies nitpicking. (This book was reviewed digitally).
The boy's hat is wondrous and needed; the book is good but not essential. (Picture book. 5-8)Pub Date: March 22, 2022
ISBN: 978-1-4521-8202-5
Page Count: 48
Publisher: Chronicle Books
Review Posted Online: Jan. 24, 2022
Kirkus Reviews Issue: Feb. 15, 2022
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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