by Stephen Briseño ; illustrated by Sonia Sánchez ‧ RELEASE DATE: Oct. 8, 2024
A dazzling Yuletide remembrance.
Grandma makes tamales by the dozens to bring Christmas cheer for la familia.
In her kitchen, “loud and cramped and perfumed with delicious smells,” Grandma prepares for the task that awaits. She intends to “sell as many tamales as she can before Christmas” so she can purchase gifts for her many children and grandchildren. Inspired by his real-life grandmother’s seasonal efforts, Briseño presents a series of cozy vignettes that focus on Latine familial love, narrated by an unnamed young child. In the crisp morning, Dad sells tamales from a cooler to co-workers and friends. When the days become colder, Mom and the tías bustle around the kitchen to lend a hand. Holidays and festivities unfold. On Halloween, Grandpa greets trick-or-treaters with candies, and on Thanksgiving, la familia gathers round to feast on turkey and other favorites. Grandma stands at the center of it all, with masa and corn husks in each hand. Boasting a vibrant palette of rich, earthy colors, Sánchez’s digital artwork superbly captures the tenderness and serenity of each scene. Grandma’s tamale milestones (“150 DOZEN TAMALES,” “850 DOZEN TAMALES”) crop up in bold and all caps throughout. Soon enough, the Christmas tree comes out, and lights fill each room. When Grandma wraps up her last tamales for the season, the real significance of the holiday emerges.
A dazzling Yuletide remembrance. (author’s note, tamale recipe) (Picture book. 4-8)Pub Date: Oct. 8, 2024
ISBN: 9780593647813
Page Count: 40
Publisher: Random House Studio
Review Posted Online: May 31, 2024
Kirkus Reviews Issue: July 1, 2024
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by Stephen Briseño ; illustrated by Magdalena Mora
by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Kimberly Dean ; illustrated by James Dean
BOOK REVIEW
by James Dean & Kimberly Dean ; illustrated by James Dean
BOOK REVIEW
by Joan Holub ; illustrated by James Dean
by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Dec. 24, 2019
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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BOOK REVIEW
by Drew Daywalt ; illustrated by Oliver Jeffers
BOOK REVIEW
by Drew Daywalt ; illustrated by Oliver Jeffers
BOOK REVIEW
by Drew Daywalt & illustrated by Oliver Jeffers
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SEEN & HEARD
SEEN & HEARD
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