by Stephen Briseño ; illustrated by Magdalena Mora ‧ RELEASE DATE: June 21, 2022
A hopeful story that encourages compassion.
Waiting to cross the border is no easy task.
A young girl named Noemi and her mother leave Mexico in search of a safer place to live. Arriving at the border, they must wait. They give their names and country of origin to the kind Notebook Keeper, Belinda, a volunteer tasked with keeping track of asylum seekers waiting to plead their cases. Each day, Belinda calls out the names of those who can move forward in the process. The author’s note explains that this is based on a real-life process at the San Ysidro Border Crossing in Tijuana. Noemi and Mamá wait for days, then weeks. Belinda encourages them to stay hopeful and explains that she was picked to become the Notebook Keeper—and how she will select her own replacement when her number is finally called. Taking a cue from Belinda, Noemi decides to stay positive and be kind to those around her. She and her mother are eventually chosen to be the new Notebook Keepers when Belinda’s number comes up. Noemi and Mamá are Mexican and brown-skinned; other asylum seekers at the border represent a variety of ethnicities and brown skin tones. The story is uncomplicated and earnest while explaining a deeply nuanced aspect of attempting to enter the United States as a refugee. Dreamy colored pencil, pastel, gouache, and Photoshop collage illustrations put a human face on the real struggle facing so many refugees today. (This book was reviewed digitally.)
A hopeful story that encourages compassion. (sources) (Picture book. 5-10)Pub Date: June 21, 2022
ISBN: 978-0-593-30705-2
Page Count: 40
Publisher: Random House Studio
Review Posted Online: April 26, 2022
Kirkus Reviews Issue: May 15, 2022
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by Daymond John ; illustrated by Nicole Miles ‧ RELEASE DATE: March 21, 2023
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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by JaNay Brown-Wood ; illustrated by Hazel Mitchell ‧ RELEASE DATE: Oct. 14, 2014
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
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