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COMRADES

BROTHERS, FATHERS, HEROES, SONS, PALS

A disappointingly sentimental celebration of male friendship that reveals almost nothing about the emotional lives of men. Bestselling historian Ambrose (Undaunted Courage, 1996, etc.) is a brilliant chronicler of public events, but his exploration of male friendship is exasperatingly shallow. How do young men become friends, according to Ambrose? They might “join the same fraternity, date the same or similar girls from the same sorority, play on the same [sports] teams, all things that lead to genuine connection.” As a University of Wisconsin freshman, Ambrose befriends a fraternity brother because “[w]e liked beer, we liked to sing when drunk, we liked girls” and enjoyed the outdoors. This hardly exhausts the infinite variety of male friendship. Ambrose portrays men as “comrades” in the public arena of sports, politics, and combat, but says little about the private roles men typically play—as nurturing fathers, perhaps, or supportive husbands. In Ambrose’s estimation, men bond by sharing a goal. The friendships Ambrose has chosen to celebrate are largely forged in wartime: soldiers hitting the beaches on D-Day, George Armstrong Custer and his brother Tom dying together at Little Big Horn, Crazy Horse and his warrior friend He Dog slaughtering Custer’s men, Dwight Eisenhower and George Patton working side by side to destroy the Nazi war machine. Ambrose recycles a lot of material from his previous books and throws in a few anecdotes about his own lifelong friendships. None of it plunges much below surface platitudes. We learn, for example, that Patton and Eisenhower “both had a deep interest in tanks and armored warfare.” But where are the men who simply enjoy each other’s company? A vaguely nostalgic and disorganized exploration meant, no doubt, as a Father’s Day gift book. Not Ambrose’s finest hour.

Pub Date: June 1, 1999

ISBN: 0-684-86718-4

Page Count: 160

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1999

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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