Early in this massive biography, Ambrose makes the ironic statement that, at 25, Nixon was considered to be so honest, scrupulous, and upright that had he opened a used-car lot, his peers would have flocked to buy cars from him. The statement captures the tone of this, the definitive biography of an enigma. Ambrose, whose career as a historian has seemed to gel in recent years as the primary biographer of Eisenhower, captures Nixon as a prisoner of ironies in this first of two volumes that takes us up to the "last press conference" after Nixon's 1962 California gubernatorial defeat. Nixon's rise was meteoric. (Consider the equivalent: a freshman representative entering Congress this year would be elected Vice-President in 1992!) But, as Ambrose shows, this was only typical. Within months of joining any organization, from grade school on, Nixon would so shine that he would be granted the presidency. It was only natural that he should consider the Vice-Presidency and Presidency as plausible career steps. But it wasn't just a matter of brutal ambition. Friends and enemies alike conceded that the man possessed a brilliant political mind. And this, in turn, was fed by a remarkable memory and sheer hard work (Nixon could go days without sleep in preparing for important trips or events). It was unfortunate for him that he had to ride the coattails of Eisenhower, whose feelings for Nixon were fatherly in the best and worst sense of the word. While grooming Nixon to take on the burdens of the Presidency, he never quite considered him mature enough. Nixon's tireless and great service to the Republican Party often irked Eisenhower, who cared not a whit for party affiliation. Ambrose brings out other ironies'. The supposed campaign of vilification against Helen Gahagan Douglas in 1950, for instance, was actually begun by Douglas, who first tried to besmirch Nixon's voting record! And the conception of Nixon as an extreme right-winger depended too heavily on Nixon's partisan lambasting of Democrats who were "soft on Communism." Ambrose convincingly demonstrates that in domestic policies, Nixon was actually one of the more progressive Republicans of the 1950's, but he had to quell that spirit because of Eisenhower. Nixon's progressivism was particularly apparent in his promotion of black rights. In this regard, Martin Luther King, Jr., actually voted for the Eisenhower ticket in 1956 because of Nixon. Most previous biographies of Nixon have either been admiring political studies or hatchet jobs by obvious enemies. Ambrose rights both of their wrongs and gives us a wonderful preliminary to the final volume, which will chronicle Nixon's resurrection, triumph, and fall. Masterful biography.
Pub Date: April 1, 1987
ISBN: 0671654381
Page Count: 752
Publisher: Simon & Schuster
Review Posted Online: Oct. 10, 2011
Kirkus Reviews Issue: March 15, 1987
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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