Early in this massive biography, Ambrose makes the ironic statement that, at 25, Nixon was considered to be so honest, scrupulous, and upright that had he opened a used-car lot, his peers would have flocked to buy cars from him. The statement captures the tone of this, the definitive biography of an enigma. Ambrose, whose career as a historian has seemed to gel in recent years as the primary biographer of Eisenhower, captures Nixon as a prisoner of ironies in this first of two volumes that takes us up to the "last press conference" after Nixon's 1962 California gubernatorial defeat. Nixon's rise was meteoric. (Consider the equivalent: a freshman representative entering Congress this year would be elected Vice-President in 1992!) But, as Ambrose shows, this was only typical. Within months of joining any organization, from grade school on, Nixon would so shine that he would be granted the presidency. It was only natural that he should consider the Vice-Presidency and Presidency as plausible career steps. But it wasn't just a matter of brutal ambition. Friends and enemies alike conceded that the man possessed a brilliant political mind. And this, in turn, was fed by a remarkable memory and sheer hard work (Nixon could go days without sleep in preparing for important trips or events). It was unfortunate for him that he had to ride the coattails of Eisenhower, whose feelings for Nixon were fatherly in the best and worst sense of the word. While grooming Nixon to take on the burdens of the Presidency, he never quite considered him mature enough. Nixon's tireless and great service to the Republican Party often irked Eisenhower, who cared not a whit for party affiliation. Ambrose brings out other ironies'. The supposed campaign of vilification against Helen Gahagan Douglas in 1950, for instance, was actually begun by Douglas, who first tried to besmirch Nixon's voting record! And the conception of Nixon as an extreme right-winger depended too heavily on Nixon's partisan lambasting of Democrats who were "soft on Communism." Ambrose convincingly demonstrates that in domestic policies, Nixon was actually one of the more progressive Republicans of the 1950's, but he had to quell that spirit because of Eisenhower. Nixon's progressivism was particularly apparent in his promotion of black rights. In this regard, Martin Luther King, Jr., actually voted for the Eisenhower ticket in 1956 because of Nixon. Most previous biographies of Nixon have either been admiring political studies or hatchet jobs by obvious enemies. Ambrose rights both of their wrongs and gives us a wonderful preliminary to the final volume, which will chronicle Nixon's resurrection, triumph, and fall. Masterful biography.
Pub Date: April 1, 1987
ISBN: 0671654381
Page Count: 752
Publisher: Simon & Schuster
Review Posted Online: Oct. 10, 2011
Kirkus Reviews Issue: March 15, 1987
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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