KILLER ON THE ROAD / THE BABYSITTER LIVES

A one-two punch of grindhouse horror from one of the craft’s most inventive practitioners.

Jones is riding high on his much-lauded vampire Western (The Buffalo Hunter Hunter, 2025) but this isn’t a step back by any means, just a palate cleanser, two novels joined back-to-back. These twinned tales of Final Girls under threat from paranormal entities swings less literary, but fans of the author’s Jade Daniels trilogy, not to mention slasher flicks in general, should be delighted with the gruesome results. Killer on the Road finds moody 16-year-old Harper hitting the road after a fight with Mom and hooking up with her best friends, Kissy and Jam, not to mention ex-boyfriend Dillion and tag-along little sister Meg. Before they get very far, they’re attacked by a malevolent truck driver with murder on his mind. This nasty business lifts from all sorts of genre touchstones to make its case—the cat-and-mouse game in Spielberg’s Duel is just one that includes serial killers, physical transformation, and good old American road violence. After the vociferous gore in Killer on the Road, readers might expect a respite from The Babysitter Lives, but no such luck. Harper would probably be friends with high school senior Charlotte, not least due to their shared Native American heritage and ferocious spirit. In Charlotte’s case, what’s a babysitter to do on the night before Halloween except babysit two creepy twins for their secretive, mistrustful parents? Except that, as her girlfriend, Murphy, reminds her, the scariest local legend is about a mother who drowned her children on that very night, years ago. What resembles a modern gothic quickly turns into something else, as Jones visits all sorts of horrors upon his creation, from insanity-inducing portals to somewhere down under, to murderous doppelgängers and other visitations.

An acquired taste that’s much like the rest of the author’s body of work: bloody, terrifying, triumphant.