A weirdly satisfying and bloody reckoning with some of America’s most shameful history.
A professor unravels a mystery from the darkest depths of the Wild West.
Salvation comes in strange and uncomfortable ways in this ambitious, century-spanning American gothic by Jones, drawing hard from this country’s deep well of trespasses against its Indigenous people. When 42-year-old junior professor Etsy Beaucarne is bequeathed a newly discovered, century-old diary composed by her great-great-great-grandfather Arthur Beaucarne, she thinks the Lutheran minister’s vivid tales about the frontier might finally earn her tenure at the University of Wyoming. As the framing device unfolds, we’re treated to two new narratives, the first being Arthur’s story of his ministry to a troubled Blackfeet Indian named Good Stab and the second being Good Stab’s own record of his long, strange life. “What I am is the Indian who can’t die,” he confesses. “I’m the worst dream America ever had.” Why it’s been such a long and memorable life quickly becomes apparent along with the Blackfeet’s extended teeth and thirst for blood. While a vampire Western could easily have become a farce, Jones crafts it into a rich tapestry that winds around questions of identity, heritage, and historical truth, all pivoting on a real historical atrocity, the Marias Massacre, where almost 200 Native people were murdered by the U.S. Army in January 1870. Jones never takes it easy on the reader but the trust he earns is rewarded in the end. Both Arthur’s and Good Stab’s accounts are authentically painted from their very disparate lives and cultures, so the shift can sometimes be jarring. It’s also a surprisingly slow burn for a tale with a truly visceral amount of carnage. Nevertheless, by the time the book winds back around, it’s as much an autopsy of institutionalized treachery as a demonization of its tragic and terrifying “villain.”
A weirdly satisfying and bloody reckoning with some of America’s most shameful history.Pub Date: March 18, 2025
ISBN: 9781668075081
Page Count: 448
Publisher: Saga/Simon & Schuster
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
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