The Exorcist meets My Mother, The Car. . . in a chiller that takes a nifty Twilight Zone notion and stretches it out to King-sized proportions—with teen-gab galore, horror-flick mayhem, epic foreshadowing, and endlessly teased-out suspense. It's 1978 in a town outside of Pittsburgh. Football-player Dennis (the nice, if relentlessly vulgar, narrator) is a high-school senior—as is his best-friend Arnie, pimpled loner and natural victim. But everything begins to go askew on the day that Arnie falls in love at first sight with "Christine," a total wreck of a 1958 Plymouth Fury ("one of the long ones with the big fins") that Arnie buys for $250 from creepy old Roland D. LeBay. Soon, you see, Arnie starts changing: he stands up to his college-teacher parents (manipulative Mom, weak Dad) for the first time; his skin clears up; he gets a sweetly beautiful girlfriend, Leigh. After old LeBay dies, Dennis starts worrying—especially when he learns that the mean old man's wife and daughter both died in. . . Christine. And assorted spooky questions arise: How does Arnie manage to restore Christine to 1958 condition so fast? How does he instantly restore her again after Christine has been savagely attacked by some high-school bullies? And who—if anyone—is driving Christine when the killer-car then starts bloodily bumping off all of Arnie's enemies? (Arnie himself is always out of town when the ghostly hit-and-runs occur.) By this time, of course, girlfriend Leigh is starting to become disenchanted with Arnie—who seems to sit idly by while Christine. . . or something. . . tries to choke Leigh to death. And when even Arnie's handwriting seems to change, Leigh and Dennis become convinced that their friend has been quasi-possessed by the undead soul of evil Roland LeBay (whom they can sometimes even see at the wheel!). So they determine to somehow destroy the indestructible killer-car—in a finale-showdown at Darnell's Garage, with Dennis in a tank-truck and Christine (carrying yet more corpses) on the rampage. Nothing new, horror-wise (remember The Car, a 1977 film-cheapie?), and much too long; but King's blend of adolescent raunch, All-American sentiment, and unsubtle spookery has never, since Carrie, been more popcorn-readable—with immense appeal for all those fans interested in the 522-page equivalent of a drive-in horror movie.
Pub Date: April 29, 1983
ISBN: 0451160444
Page Count: 534
Publisher: Viking
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1983
BOOK TO SCREEN
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
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