Satisfying at every level. King even leaves room for a follow-up, should he choose to write one—and with luck, sooner than...
He-e-e-e-r-e’s Danny!
Before an alcoholic can begin recovery, by some lights, he or she has to hit bottom. Dan Torrance, the alcoholic son of the very dangerously alcoholic father who came to no good in King’s famed 1977 novel The Shining, finds his rock bottom very near, if not exactly at, the scarifying image of an infant reaching for a baggie of blow. The drugs, the booze, the one-night stands, the excruciating chain of failures: all trace back to the bad doings at the Overlook Hotel (don’t go into Room 217) and all those voices in poor Dan’s head, which speak to (and because of) a very special talent he has. That “shining” is a matter of more than passing interest for a gang of RV-driving, torture-loving, soul-sucking folks who aren’t quite folks at all—the True Knot, about whom one particularly deadly recruiter comments, “They’re not my friends, they’re my family....And what’s tied can never be untied.” When the knotty crew sets its sights on a young girl whose own powers include the ability to sense impending bad vibes, Dan, long adrift, begins to find new meaning in the world. Granted, he has good reason to have wanted to hide from it—he still has visions of that old Redrum scrawl, good reason to need the mental eraser of liquor—but there’s nothing like an apocalyptic struggle to bring out the best (or worst) in people. King clearly revels in his tale, and though it’s quite a bit more understated than his earlier, booze-soaked work, it shows all his old gifts, including the ability to produce sentences that read as if they’re tossed off but that could come only from someone who’s worked hard on them (“Danny, have you ever seen dead people? Regular dead people, I mean”). His cast of characters is as memorable as any King has produced, too, from a fully rounded Danny to the tiny but efficiently lethal Abra Stone and the vengeful Andi, who’s right to be angry but takes things just a touch too far. And that’s not to mention Rose the Hatless and Crow Daddy.
Satisfying at every level. King even leaves room for a follow-up, should he choose to write one—and with luck, sooner than three decades hence.Pub Date: Sept. 24, 2013
ISBN: 978-1-4767-2765-3
Page Count: 544
Publisher: Scribner
Review Posted Online: July 28, 2013
Kirkus Reviews Issue: Sept. 1, 2013
BOOK TO SCREEN
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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