Edgar’s own story in the present is more compelling than the revelations of the key’s past, and the novel might have been...
The prolific master of psycho-horror returns to the mysteries of the creative process, a subject that has inspired some of his most haunting work.
This could be considered a companion piece to The Shining, offering plenty of reversals on that plot. In both cases, isolation has severe effects on the psyche of an artist, yet where the former novel found its protagonist in a lethal state of writer’s block, the latter sees a one-time building magnate transformed into an impossibly prolific and powerful painter, due to circumstances beyond his control. And where the isolation in the former had a family cut off from society by a frigid northern winter, the setting of the latter is a mysterious Florida key, lush and tropical in its overgrowth, somehow immune to commercial development. A self-made millionaire, Edgar Freemantle narrates the novel in a conversational, matter-of-fact tone. He explains how a job-site accident cost him his arm, his sanity (during the early part of an extended recuperation) and his wife (whom he had physically threatened after the accident transformed him into something other than himself). What he gained was a seemingly inexplicable command as a visual artist, particularly after his recuperation (from both his accident and his marriage) takes him to the isolated Duma Key, where the only other inhabitants are an elderly, wealthy woman and her caretaker. It seems that all three have suffered severe traumas that bond them and that perhaps have even drawn them together. Soon Edgar discovers that his art has given him the power not only to predict the future, but to transform it. He ultimately pays a steep price for his artistic gifts, particularly as his investigation of the mysteries of Duma Key lead him to discover the tragic origins of his artistic vision.
Edgar’s own story in the present is more compelling than the revelations of the key’s past, and the novel might have been twice as powerful if it had been cut by a third, but King fans will find it engrossing.Pub Date: Jan. 1, 2008
ISBN: 978-1-4165-5251-2
Page Count: 624
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2007
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...
The traumatic homecoming of a wounded warrior.
The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart.
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.Pub Date: Jan. 31, 2012
ISBN: 978-0-312-57720-9
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Dec. 18, 2011
Kirkus Reviews Issue: Jan. 1, 2012
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