Crave chills and thrills but don’t have time for a King epic? This will do the job before bedtime. Not that you’ll sleep.
Horrormeister King follows a boy’s journey from childhood to adolescence among the dead—and their even creepier living counterparts.
Jamie Conklin sees dead people. Not for very long—they fade away after a week or so—but during that time he can talk to them, ask them questions, and compel them to answer truthfully. His uncanny gift at first seems utterly unrelated to his mother Tia’s work as a literary agent, but the links become disturbingly clear when her star client, Regis Thomas, dies shortly after starting work on the newest entry in his bestselling Roanoke Saga, and Tia and her lover, NYPD Detective Liz Dutton, drive Jamie out to Cobblestone Cottage to encourage the late author to dictate an outline of his latest page-turner so that Tia, who’s fallen on hard times, can write it in his name instead of returning his advance and her cut. Now that she’s seen what Jamie can do, Liz takes it on herself to arrange an interview in which Jamie will ask Kenneth Therriault, a serial bomber who’s just killed himself, where he’s stowed his latest explosive device before it can explode posthumously. His post-mortem encounter with Therriault exacts a high price on Jamie, who now finds himself more haunted than ever, though he never gives up on the everyday experiences in which King roots all his nightmares.
Crave chills and thrills but don’t have time for a King epic? This will do the job before bedtime. Not that you’ll sleep.Pub Date: March 2, 2021
ISBN: 978-1-7890-9649-1
Page Count: 256
Publisher: Hard Case Crime
Review Posted Online: Dec. 25, 2020
Kirkus Reviews Issue: Jan. 15, 2021
BOOK TO SCREEN
Soapy, suspenseful fun.
A remembered horror plunges a pregnant woman into a waking nightmare.
Tegan Werner, 23, barely recalls her one-night stand with married real estate developer Simon Lamar; she only learns Simon’s name after seeing him on the local news five months later. Simon wants nothing to do with the resulting child Tegan now carries and tells his lawyer to negotiate a nondisclosure agreement. A destitute Tegan is all too happy to trade her silence for cash—until a whiff of Simon’s cologne triggers a memory of him drugging and raping her. Distraught and eight months pregnant, Tegan flees her Lewiston, Maine, apartment and drives north in a blizzard, intending to seek comfort and counsel from her older brother, Dennis; instead, she gets lost and crashes, badly injuring her ankle. Tegan is terrified when hulking stranger Hank Thompson stops and extricates her from the wreck, and becomes even more so when he takes her to his cabin rather than the hospital, citing hazardous road conditions. Her anxiety eases somewhat upon meeting Hank’s wife, Polly—a former nurse who settles Tegan in a basement hospital room originally built for Polly’s now-deceased mother. Polly vows to call 911 as soon as the phones and power return, but when that doesn’t happen, Tegan becomes convinced that Hank is forcing Polly to hold her prisoner. Tegan doesn’t know the half of it. McFadden unspools her twisty tale via a first-person-present narration that alternates between Tegan and Polly, grounding character while elevating tension. Coincidence and frustratingly foolish assumptions fuel the plot, but readers able to suspend disbelief are in for a wild ride. A purposefully ambiguous, forward-flashing prologue hints at future homicide, establishing stakes from the jump.
Soapy, suspenseful fun.Pub Date: Jan. 28, 2025
ISBN: 9781464227325
Page Count: 384
Publisher: Poisoned Pen
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
BOOK REVIEW
BOOK REVIEW
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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