But, with some gripping sequences along the way and the double-whammy byline, this grandiose, meandering saga—echoing Oz,...
The quasi-cosmic, picaresque journey of twelve-year-old Jack Sawyer—across America on foot, "flipping" in and out of a parallel universe called the "Territories"—in quest of a magical talisman that will save his widowed mother (a former B-movie star) from dying of cancer.
Jack's trek begins on the Atlantic coast, where an old black man at a seedy "Funworld" tells him about the Territories, The Talisman, and the "Twinners" (parallel-universe doppelgangers); and these first chapters recall the murky hoo-hah of Straub's opaque Shadowland—as Jack learns that his nemesis is his dead father's evil business partner Morgan Sloat, known in the Territories as "Morgan of Orris." Still, Jack plunges ahead—walking west but flipping into the Territories whenever Morgan's pursuit becomes lethal. . . and vice versa. In the real world his ordeals include: slave-labor at an upstate N.Y. tavern; harassment from pederasts; dreadful days in a neo-Diekensian "Home" for delinquent boys. In the semi-medieval Territories, he faces tree-monsters and assorted "thing" attackers—but also acquires a devoted, brave sidekick: a werewolf named Wolf, who travels with Jack into the real world. (This 150-page section, midway through, is prime alien-fiction à la King—funny, touching, complete with a Carrie-like outburst of retaliation from poor, sweet Wolf.) And eventually, after Wolf's noble demise, lack reaches the midwestern prep school of chum Richard Sloat (son of Morgan)—who'll reluctantly accompany him the rest of the paranoid-peril way: across the radioactive Blasted Lands on a magical train, then flipping into real-world California. . . where The Talisman awaits ("COME TO ME! COME NOW!") in a black hotel. Fans of King's horror, then, will probably be irritated by the pretentious, verbose, psycho-gothic/philosophical fantasy here—which involves coming-of-age, the Twinner gestalt, the sinful secrets of Jack's dead dad, and heavy good-vs.-evil breathing. (See King's The Stand as well as lesser Straub.) At the other extreme is a lot of King-style sentimentality and jokey vulgarity—with Jack's mind implausibly embracing four decades of pop-culture allusions.
But, with some gripping sequences along the way and the double-whammy byline, this grandiose, meandering saga—echoing Oz, Alice, and Huck Finn—is sure to reach a massive audience. . . and satisfy about half of it.Pub Date: Nov. 1, 1984
ISBN: 0345444884
Page Count: 774
Publisher: Viking
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: Oct. 15, 1984
BOOK TO SCREEN
IN THE NEWS
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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