The bestselling novelist scales down his literary ambition with a return to the Dark Tower series.
Though King has expanded his thematic terrain and elevated his critical reputation in recent years (11/22/63, 2011 etc.), he remains a master of fantastic stories spun from a very fertile imagination that seek to do nothing more (or less) than entertain. Some readers might be surprised at this return to the narrative that King had apparently concluded with the massive The Dark Tower (2004), the seventh book in the series. Yet rather than extend and revive the plot in this installment, he mines a seam from earlier in the series, suggesting that “this book should be shelved between Wizard and Glass and Wolves of the Calla...which makes it, I suppose Dark Tower 4.5.” He also makes a point of reassuring readers new to the series that they can start here, that the novel can be understood as a stand-alone title (with just a little contextual background, which he summarizes in a couple of paragraphs). Short by King’s standards, the novel draws inspiration from tales of knighthood and Old West gunslingers, as its story-within-a-story (within a story) details the rite-of-passage heroism of Roland Deschain, who saves a terrified boy in Mid-World from a shape-shifting marauder. “These tales nest inside each other,” explains Roland at the outset, as he prepares to recount a story through which its characters drew courage and inspiration from a story. If it weren’t for the profanity which liberally seasons the narrative, it could pass as a young adult fantasy, a foul-mouthed Harry Potter (with nods toward The Wizard of Oz and C.S. Lewis). It even ends with a redemptive moral, though King mainly concerns himself here with spinning a yard. Will more likely serve as a footnote for the many fans of the series than a point of entry to expand its readership.
Pub Date: April 24, 2012
ISBN: 978-1-4516-5890-3
Page Count: 320
Publisher: Scribner
Review Posted Online: March 14, 2012
Kirkus Reviews Issue: April 1, 2012
A breezy and fun contemporary fantasy.
A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.
Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.
A breezy and fun contemporary fantasy.Pub Date: March 17, 2020
ISBN: 978-1-250-21728-8
Page Count: 352
Publisher: Tor
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
PERSPECTIVES
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.
Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.
In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.Pub Date: Feb. 4, 2020
ISBN: 978-0-345-54857-3
Page Count: 592
Publisher: Del Rey/Ballantine
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
BOOK REVIEW
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