The bestselling novelist scales down his literary ambition with a return to the Dark Tower series.
Though King has expanded his thematic terrain and elevated his critical reputation in recent years (11/22/63, 2011 etc.), he remains a master of fantastic stories spun from a very fertile imagination that seek to do nothing more (or less) than entertain. Some readers might be surprised at this return to the narrative that King had apparently concluded with the massive The Dark Tower (2004), the seventh book in the series. Yet rather than extend and revive the plot in this installment, he mines a seam from earlier in the series, suggesting that “this book should be shelved between Wizard and Glass and Wolves of the Calla...which makes it, I suppose Dark Tower 4.5.” He also makes a point of reassuring readers new to the series that they can start here, that the novel can be understood as a stand-alone title (with just a little contextual background, which he summarizes in a couple of paragraphs). Short by King’s standards, the novel draws inspiration from tales of knighthood and Old West gunslingers, as its story-within-a-story (within a story) details the rite-of-passage heroism of Roland Deschain, who saves a terrified boy in Mid-World from a shape-shifting marauder. “These tales nest inside each other,” explains Roland at the outset, as he prepares to recount a story through which its characters drew courage and inspiration from a story. If it weren’t for the profanity which liberally seasons the narrative, it could pass as a young adult fantasy, a foul-mouthed Harry Potter (with nods toward The Wizard of Oz and C.S. Lewis). It even ends with a redemptive moral, though King mainly concerns himself here with spinning a yard. Will more likely serve as a footnote for the many fans of the series than a point of entry to expand its readership.
Pub Date: April 24, 2012
ISBN: 978-1-4516-5890-3
Page Count: 320
Publisher: Scribner
Review Posted Online: March 14, 2012
Kirkus Reviews Issue: April 1, 2012
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.
Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.
In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.Pub Date: Feb. 4, 2020
ISBN: 978-0-345-54857-3
Page Count: 592
Publisher: Del Rey/Ballantine
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
BOOK REVIEW
BOOK REVIEW
A somewhat fragmentary nocturnal shadows Jim Nightshade and his friend Will Halloway, born just before and just after midnight on the 31st of October, as they walk the thin line between real and imaginary worlds. A carnival (evil) comes to town with its calliope, merry-go-round and mirror maze, and in its distortion, the funeral march is played backwards, their teacher's nephew seems to assume the identity of the carnival's Mr. Cooger. The Illustrated Man (an earlier Bradbury title) doubles as Mr. Dark. comes for the boys and Jim almost does; and there are other spectres in this freakshow of the mind, The Witch, The Dwarf, etc., before faith casts out all these fears which the carnival has exploited... The allusions (the October country, the autumn people, etc.) as well as the concerns of previous books will be familiar to Bradbury's readers as once again this conjurer limns a haunted landscape in an allegory of good and evil. Definitely for all admirers.
Pub Date: June 15, 1962
ISBN: 0380977273
Page Count: 312
Publisher: Simon & Schuster
Review Posted Online: March 20, 2012
Kirkus Reviews Issue: June 15, 1962
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