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PAUL REVERE’S MIDNIGHT RIDE

In a departure from other Paul Revere stories, Krensky (How Santa Lost His Job, 2001, etc.) tells the tale from the perspectives of Paul Revere, British General Gage, and his commander, Lord Percy. While Revere rushes to begin his ride to warn the patriots in Concord, the British troops form lines for a review that brings an end to months of inactivity. They wanted a fight, but did not really believe the colonists would go to battle over their ideals. Under the two lights shining from the Old North Church tower, both Paul and the Redcoats made their way across the Charles River by boat. With his fast horse, Paul escaped one set of soldiers waiting on the road, and spread the word to the patriots in Lexington. Paul’s luck held even when the British soldiers captured him. They were so worried by his message that Concord had been warned that they took his horse, but set him free. The fighting at Lexington and the North Bridge are covered in two brief pages, and Revere’s life during the war in one small paragraph, but for the reader, the ride of Paul Revere, and the actions of the British soldiers on that famous night are made real. Harlin’s (Mississippi, not reviewed) watercolors marvelously illustrate colonial times, from the painstakingly detailed British uniforms and the dress of the American colonists, to the clapboard houses and the furnishings within. He uses close-ups to focus the reader’s attention and complement the words of the text. As the author describes the Regulars’ departure from the boats, the reader can see the water and mud they trudged through and easily imagine their discomfort. The front endpaper features a map showing the route of Paul Revere’s ride, and an afterword gives more background to the conflict between the colonists and England, as well as the ultimate outcome. A good introduction to the start of the Revolutionary War. (Picture book/nonfiction. 7-12)

Pub Date: Aug. 1, 2002

ISBN: 0-688-16409-9

Page Count: 32

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2002

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TWENTY-ONE ELEPHANTS AND STILL STANDING

Strong rhythms and occasional full or partial rhymes give this account of P.T. Barnum’s 1884 elephant parade across the newly opened Brooklyn Bridge an incantatory tone. Catching a whiff of public concern about the new bridge’s sturdiness, Barnum seizes the moment: “’I will stage an event / that will calm every fear, erase every worry, / about that remarkable bridge. / My display will amuse, inform / and astound some. / Or else my name isn’t Barnum!’” Using a rich palette of glowing golds and browns, Roca imbues the pachyderms with a calm solidity, sending them ambling past equally solid-looking buildings and over a truly monumental bridge—which soars over a striped Big Top tent in the final scene. A stately rendition of the episode, less exuberant, but also less fictionalized, than Phil Bildner’s Twenty-One Elephants (2004), illustrated by LeUyen Pham. (author’s note, resource list) (Picture book. 7-9)

Pub Date: Sept. 26, 2005

ISBN: 0-618-44887-X

Page Count: 32

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2005

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FARMER GEORGE PLANTS A NATION

A pleasing new picture book looks at George Washington’s career through an agricultural lens. Sprinkling excerpts from his letters and diaries throughout to allow its subject to speak in his own voice, the narrative makes a convincing case for Washington’s place as the nation’s First Farmer. His innovations, in addition to applying the scientific method to compost, include a combination plow-tiller-harrow, the popularization of the mule and a two-level barn that put horses to work at threshing grain in any weather. Thomas integrates Washington’s military and political adventures into her account, making clear that it was his frustration as a farmer that caused him to join the revolutionary cause. Lane’s oil illustrations, while sometimes stiff, appropriately portray a man who was happiest when working the land. Backmatter includes a timeline, author’s notes on both Mount Vernon and Washington the slaveholder, resources for further exploration and a bibliography. (Picture book/biography. 8-12)

Pub Date: Feb. 1, 2008

ISBN: 978-1-59078-460-0

Page Count: 40

Publisher: Calkins Creek/Boyds Mills

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2008

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