by Stephen Krensky ; illustrated by Amélie Graux ‧ RELEASE DATE: March 1, 2016
Ultimately, there’s nothing particularly new about this new baby book, and other, better choices on the theme abound.
A new older sibling introduces baby sister to readers.
New-baby picture books abound, and they often hinge on conflict arising from an older sibling’s trouble adjusting. Not so in this milquetoast offering from Krensky and Graux. The unnamed, first-person narrator describes initial ambivalence, which then suddenly shifts. The child goes from feeling a distancing pride in what big kids can do as opposed to what the baby can do (eat pizza and ice cream, use a toilet) to eventual engagement with the baby and hopes for how they will play together once she gets older. Splashing together in the bath and playing peekaboo are the turning points, but there’s never much of a hook to pull readers into the story; indeed, there’s never much of a story. Meanwhile, Graux’s soft illustrations overemphasize the characters’ eyes to display emotion and reiterate the textual statements without doing much to extend the narrative. The family is white; the parents are heterosexual; there’s nothing to set this book apart.
Ultimately, there’s nothing particularly new about this new baby book, and other, better choices on the theme abound. (Picture book. 2-5)Pub Date: March 1, 2016
ISBN: 978-1-62370-603-6
Page Count: 32
Publisher: Capstone Young Readers
Review Posted Online: Jan. 19, 2016
Kirkus Reviews Issue: Feb. 1, 2016
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by Audrey Penn ; illustrated by Barbara L. Gibson ‧ RELEASE DATE: April 1, 2014
Parents of toddlers starting school or day care should seek separation-anxiety remedies elsewhere, and fans of the original...
A sweetened, condensed version of the best-selling picture book, The Kissing Hand.
As in the original, Chester Raccoon is nervous about attending Owl’s night school (raccoons are nocturnal). His mom kisses him on the paw and reminds him, “With a Kissing Hand… / We’ll never be apart.” The text boils the story down to its key elements, causing this version to feel rushed. Gone is the list of fun things Chester will get to do at school. Fans of the original may be disappointed that this board edition uses a different illustrator. Gibson’s work is equally sentimental, but her renderings are stiff and flat in comparison to the watercolors of Harper and Leak. Very young readers will probably not understand that Owl’s tree, filled with opossums, a squirrel, a chipmunk and others, is supposed to be a school.
Parents of toddlers starting school or day care should seek separation-anxiety remedies elsewhere, and fans of the original shouldn’t look to this version as replacement for their page-worn copies. (Board book. 2-4)Pub Date: April 1, 2014
ISBN: 978-1-933718-77-4
Page Count: 14
Publisher: Tanglewood Publishing
Review Posted Online: May 18, 2014
Kirkus Reviews Issue: July 1, 2014
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by Audrey Penn ; illustrated by Barbara L. Gibson
by Audrey Penn & illustrated by Barbara L. Gibson
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by Jimmy Fallon ; illustrated by Miguel Ordóñez ‧ RELEASE DATE: June 9, 2015
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
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