The creators of The Wishing Bone: and Other Poems (2003) offer two gently massaged chestnuts and a lesser-known bonbon from various versions of Arabian Nights. Sandwiched by “Ali Baba” and a full rendition of “Aladdin,” Mitchell’s retelling of “Abu Keer and Abu Seer”—which he suggests from internal evidence is “the most modern of all the tales”—puts a scheming Egyptian dyer and a kindly, forgiving barber through several sudden and severe reversals of fortune. Though he does slip in the occasional anachronistic touch, such as a feast in “Aladdin” that includes “crystal bowls filled with pistachio, almond, cherry-chocolate, and mocha-chip ice cream,” most of Mitchell’s additions to the three stories are seamless. And he tells each tale in a fluid prose that is divided into short chapters and largely free of the usual heavy-handed ornamental flourishes. Following Mitchell’s (and Sir Richard Burton’s) lead, Pohrt gives Aladdin Chinese features in his finely detailed illustrations, and endows all of his figures, even the genies, with distinct, animated personalities. Rich in danger, intrigue and astonishing acts of largesse, these celebrations of loyalty, courage and generosity are as entertaining as they are edifying. (extensive source notes) (Folktales. 10-12)
Pub Date: Aug. 1, 2007
ISBN: 978-0-8027-9639-4
Page Count: 192
Publisher: Walker
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2007
Playing on his customary theme that children have more on the ball than adults give them credit for, Clements (Big Al and Shrimpy, p. 951, etc.) pairs a smart, unhappy, rich kid and a small-town teacher too quick to judge on appearances. Knowing that he’ll only be finishing up the term at the local public school near his new country home before hieing off to an exclusive academy, Mark makes no special effort to fit in, just sitting in class and staring moodily out the window. This rubs veteran science teacher Bill Maxwell the wrong way, big time, so that even after Mark realizes that he’s being a snot and tries to make amends, all he gets from Mr. Maxwell is the cold shoulder. Matters come to a head during a long-anticipated class camping trip; after Maxwell catches Mark with a forbidden knife (a camp mate’s, as it turns out) and lowers the boom, Mark storms off into the woods. Unaware that Mark is a well-prepared, enthusiastic (if inexperienced) hiker, Maxwell follows carelessly, sure that the “slacker” will be waiting for rescue around the next bend—and breaks his ankle running down a slope. Reconciliation ensues once he hobbles painfully into Mark’s neatly organized camp, and the two make their way back together. This might have some appeal to fans of Gary Paulsen’s or Will Hobbs’s more catastrophic survival tales, but because Clements pauses to explain—at length—everyone’s history, motives, feelings, and mindset, it reads more like a scenario (albeit an empowering one, at least for children) than a story. Worthy—but just as Maxwell underestimates his new student, so too does Clement underestimate his readers’ ability to figure out for themselves what’s going on in each character’s life and head. (Fiction. 10-12)
Pub Date: Sept. 1, 2002
ISBN: 0-689-82596-X
Page Count: 208
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2002
A world-class charmer, Clements (The Janitor’s Boy, 2000, etc.) woos aspiring young authors—as well as grown up publishers, editors, agents, parents, teachers, and even reviewers—with this tongue-in-cheek tale of a 12-year-old novelist’s triumphant debut. Sparked by a chance comment of her mother’s, a harried assistant editor for a (surely fictional) children’s imprint, Natalie draws on deep reserves of feeling and writing talent to create a moving story about a troubled schoolgirl and her father. First, it moves her pushy friend Zoe, who decides that it has to be published; then it moves a timorous, second-year English teacher into helping Zoe set up a virtual literary agency; then, submitted pseudonymously, it moves Natalie’s unsuspecting mother into peddling it to her waspish editor-in-chief. Depicting the world of children’s publishing as a delicious mix of idealism and office politics, Clements squires the manuscript past slush pile and contract, the editing process, and initial buzz (“The Cheater grabs hold of your heart and never lets go,” gushes Kirkus). Finally, in a tearful, joyous scene—carefully staged by Zoe, who turns out to be perfect agent material: cunning, loyal, devious, manipulative, utterly shameless—at the publication party, Natalie’s identity is revealed as news cameras roll. Selznick’s gnomic, realistic portraits at once reflect the tale’s droll undertone and deftly capture each character’s distinct personality. Terrific for flourishing school writing projects, this is practical as well as poignant. Indeed, it “grabs hold of yourheart and never lets go.” (Fiction. 10-12)
Pub Date: June 1, 2001
ISBN: 0-689-82594-3
Page Count: 160
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2001
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