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MEETINGS WITH THE ARCHANGEL

If The Razor’s Edge had starred Zero Mostel instead of Tyrone Power, this book might never have been written. And that would be a pity. Well-known translator Mitchell (The Book of Job, etc.) has given us a first novel in the form of an autobiography. And not just any autobiography, mind you, but a spiritual autobiography in the style of G.I. Gurdjieff’s Meetings With Remarkable Men, mixing anecdote with advice, and tossing some poems into the soup of philosophy. Stephen, our narrator, is a Jewish college professor whose disgust with the present-day cult of angels inspired him to publish a best-selling diatribe—Against Angels—attacking that obsession as delusional and puerile. Imagine his surprise, then, when confronted with an apparition of the Archangel Gabriel, who has come to set him straight. After engaging Stephen in an elaborate consideration of God, his angels, and the nature of human life, Gabriel settles back to listen to Stephen’s side of things. Stephen, hardly an atheist, has actually spent most of his life wrestling with religion and philosophy—among the Hasidim of Brooklyn, the Zen Buddhists, and the more mundane graduate students of Harvard, Columbia, and Berkeley—and the better part of the story is his. A husband and father, Stephen wants to understand God in relational terms, and Gabriel makes it clear that this is possible. But only up to a point: “You can’t see God’s face without dying. Are you ready to die?” Much of the story is a debate rather than a narrative, and sometimes it bogs down in the mire through which all such disputations must drive (“One of our most exciting games is standing on the edge of a truth, just before it touches its opposite, and gazing down into the abyss between them”). For the most part, though, this is a pretty good (if giddy) ride. Insanely quirky, but good-natured, unpretentious, and (at times) genuinely enlightening. (Author tour)

Pub Date: Sept. 3, 1998

ISBN: 0-06-018245-8

Page Count: 256

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1998

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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