Appealing and informative for a broad range.
From classical to pop, an exploration of 10 Western musical genres with poetic words, images, and short essays.
Classical, Latin, jazz, country, heavy metal, hip-hop, rock ’n’ roll, rhythm and blues, and electronic are the genres amateur musician and award-winning illustrator Johnson has chosen to present. This unusually formatted book has a concertina binding, with one long piece of cardstock folded accordion style. It reads from the front like a picture book. Each spread presents a single genre in both words and pictures. Improvisation is a feature of many musical styles, the writer tells us. It’s also a good word for the poetic text, the scatlike syllables that convey the sounds, and the colors, shapes, and images on the pages. Even the simple text has a sonic verve, with its varied typography. Johnson’s descriptions work: Country is “poignant stories”; heavy metal is “roughened steel blazing a trail of light”; electronica is “liquid sound cascading over an endless sea.” Reading on the reverse side, each spread includes a couple of paragraphs offering extended description and history, a list of the usual instruments, six examples of pieces with their composers or performers, and a quote from someone in that musical world. Adult readers knowledgeable about one genre or another might argue about the choices, but the child audience of readers, listeners, and players will find this a rich resource to explore.
Appealing and informative for a broad range. (author’s note, acknowledgments, bibliography) (Informational picture book/novelty. 7-14)Pub Date: Oct. 27, 2020
ISBN: 978-1-4169-9950-8
Page Count: 52
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: Nov. 26, 2020
Kirkus Reviews Issue: Dec. 15, 2020
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
An endearing protagonist runs the first, fast leg of Reynolds' promising relay.
Castle “Ghost” Cranshaw feels like he’s been running ever since his dad pulled that gun on him and his mom—and used it.
His dad’s been in jail three years now, but Ghost still feels the trauma, which is probably at the root of the many “altercations” he gets into at middle school. When he inserts himself into a practice for a local elite track team, the Defenders, he’s fast enough that the hard-as-nails coach decides to put him on the team. Ghost is surprised to find himself caring enough about being on the team that he curbs his behavior to avoid “altercations.” But Ma doesn’t have money to spare on things like fancy running shoes, so Ghost shoplifts a pair that make his feet feel impossibly light—and his conscience correspondingly heavy. Ghost’s narration is candid and colloquial, reminiscent of such original voices as Bud Caldwell and Joey Pigza; his level of self-understanding is both believably childlike and disarming in its perception. He is self-focused enough that secondary characters initially feel one-dimensional, Coach in particular, but as he gets to know them better, so do readers, in a way that unfolds naturally and pleasingly. His three fellow “newbies” on the Defenders await their turns to star in subsequent series outings. Characters are black by default; those few white people in Ghost’s world are described as such.
An endearing protagonist runs the first, fast leg of Reynolds' promising relay. (Fiction. 10-14)Pub Date: Aug. 30, 2016
ISBN: 978-1-4814-5015-7
Page Count: 192
Publisher: Caitlyn Dlouhy/Atheneum
Review Posted Online: July 19, 2016
Kirkus Reviews Issue: Aug. 1, 2016
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