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THE PLEA

A worthwhile caper, if a little overweight.

You can beat him up, arrest his wife, try to acid bomb him, but you can’t hustle a hustler.

When federal agents threaten his wife, Christine, with jail time, Eddie Flynn, retired con man and present-day defense lawyer, gets involved in a complicated conspiracy. The feds want to take down Christine’s white shoe law firm, Harland and Sinton, which has been covertly laundering money for various criminal enterprises, making Christine vulnerable to charges. To keep his wife out of prison, Flynn is pressured to coerce a plea deal from David Child, social media billionaire and the designer of the security algorithm at the heart of the money-laundering scheme, who is charged with the murder of his girlfriend and who would normally be defended by Harland and Sinton. For reduced jail time Child will provide the feds with the key to the algorithm. The murder charge appears bullet-proof, and a plea deal should be attractive, but Flynn first has to convince Child to fire Harland and Sinton and retain him, which he manages through somewhat devious means. Then Flynn becomes convinced that Child is innocent, and he has to face an impossible choice: if he successfully defends Child, he will fail the feds, who will vindictively imprison his wife; or he can try to con Child into taking the plea, effectively engineering the conviction of an innocent man, and thus free his wife. Flynn thinks he sees a third path and will have to disentangle many threads. Is Child innocent? If so, who framed him? If he has been framed, can Flynn prove it in court? Can Flynn protect Child from Harland and Sinton and the dark forces behind them, who would like Child dead to protect their scheme? Will an ambitious DA ruin any deal Flynn might manage to make with the feds? Will Flynn drink again, and if he does, will it matter? Good courtroom sequences, engaging minor characters, an ornately twisted plot, a repentant but hopeful hero—what could go wrong? And though Cavanagh doesn’t go wrong, his novel falls short of the best of Elmore Leonard or Ross Thomas.

A worthwhile caper, if a little overweight.

Pub Date: Feb. 13, 2018

ISBN: 978-1-250-10556-1

Page Count: 368

Publisher: Flatiron Books

Review Posted Online: Nov. 12, 2017

Kirkus Reviews Issue: Dec. 1, 2017

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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