As compassionate as it is funny, and never overstays its welcome.
The lighter side of obsessive-compulsive behavior.
What a joy the novella is. It may not be the best deal out there in terms of dollars-per-page, but many authors would give better value if they realized they had only a long story’s worth of material and stuck to it. Martin’s second short fiction (after Shopgirl, 2000) is an impressively economical and yet by no means limited piece of light comedy. Although Daniel Cambridge doesn’t have a job, he keeps himself pretty busy. See, Daniel is chock-full of obsessive little tics that would drive the ordinary person insane. For instance, the combined wattage of all the lights turned on his Santa Monica apartment at any one time must be 1125, and he often leaves his apartment (not stepping off curbs) for the sole purpose of satisfying his need to touch the corner of every copying machine at Kinko’s. Daniel also has an elaborate fantasy life involving women he sees passing his window. Fortunately, his grandmother back in Texas sends him money every so often: “She is the one family member who understands that my insanity is benign and that my failure to hold a job is not due to laziness.” As always in stories about a closed-off neurotic of this kind, the world in all its chaotic glory must come crashing into his life in multiple ways, first in Daniel’s sputtering imaginary relationship with a local real-estate lady and then something much more tangible with Clarissa, his social worker. Although Martin succumbs to a banal plot choice later on, when his neurotic goes on a road trip, this is a genuinely funny and surprisingly touching tale. By letting Daniel speak for himself, the author enables the reader to experience his neuroses from the inside and to witness them as the strangely reassuring, though assuredly life-limiting, rituals that they are.
As compassionate as it is funny, and never overstays its welcome.Pub Date: Oct. 1, 2003
ISBN: 0-7868-6921-6
Page Count: 160
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2003
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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