A politically charged, thoughtfully reasoned call to rally around the flag—and not the Stars and Bars, to be sure.
It’s 2022—high time, Phillips urges, to finally defeat the Confederacy.
We must choose “between democracy and whiteness,” writes Phillips, author of Brown Is the New White. The democracy of which he writes is an anti–White supremacist, multiracial, and multicultural one. The Whiteness is that of the Confederate constitution, exemplified by the declaration of the Confederacy’s vice president that “the negro is not equal to the white man; that slavery subordination to the superior race is his natural and normal condition.” Though there’s some stridency to Phillips’ argument, it’s not hyperbolic. The emergence of a neo-Confederate White supremacist movement, abetted by the Trump administration, and recent Republican efforts to suppress the ethnic-minority vote are of a piece with the past. Phillips characterizes this continuity as the product of a “Confederate Battle Plan” that has five major planks, including never giving an inch while insisting, say, that elections have been stolen and White people disenfranchised, as well as “rewriting the laws so that they don’t lose again.” Inimical to a true multiracial democracy, this battle plan has been refined and sharpened—and it’s in place today. Against it, Phillips proposes a “Liberation Battle Plan” with components that include the demand that Democrats stop trying to accommodate and compromise with those “who are waging an unrelenting, centuries-long war in defense of their cherished belief that America should be a white nation.” Leading this battle in its most recent skirmishes are Black activists, particularly Black women such as Georgia’s Stacey Abrams. These leaders “don’t look like the traditional white male model of intelligence and competence,” but they are obviously capable of unexpected victories, aided by smart use of hard data and clearly defined plans of attack, all in the interest of arriving at “a social contract for the society we want to live in.”
A politically charged, thoughtfully reasoned call to rally around the flag—and not the Stars and Bars, to be sure.Pub Date: Oct. 18, 2022
ISBN: 978-1-62097-676-0
Page Count: 384
Publisher: The New Press
Review Posted Online: Aug. 9, 2022
Kirkus Reviews Issue: Sept. 1, 2022
BOOK REVIEW
BOOK REVIEW
A philosophically rich critique of state violence and mass apathy.
An Egyptian Canadian journalist writes searchingly of this time of war.
“Rules, conventions, morals, reality itself: all exist so long as their existence is convenient to the preservation of power.” So writes El Akkad, who goes on to state that one of the demands of modern power is that those subject to it must imagine that some group of people somewhere are not fully human. El Akkad’s pointed example is Gaza, the current destruction of which, he writes, is causing millions of people around the world to examine the supposedly rules-governed, democratic West and declare, “I want nothing to do with this.” El Akkad, author of the novel American War (2017), discerns hypocrisy and racism in the West’s defense of Ukraine and what he views as indifference toward the Palestinian people. No stranger to war zones himself—El Akkad was a correspondent in Afghanistan and Iraq—he writes with grim matter-of-factness about murdered children, famine, and the deliberate targeting of civilians. With no love for Zionism lost, he offers an equally harsh critique of Hamas, yet another one of the “entities obsessed with violence as an ethos, brutal in their treatment of minority groups who in their view should not exist, and self-decreed to be the true protectors of an entire religion.” Taking a global view, El Akkad, who lives in the U.S., finds almost every government and society wanting, and not least those, he says, that turn away and pretend not to know, behavior that we’ve seen before and that, in the spirit of his title, will one day be explained away until, in the end, it comes down to “a quiet unheard reckoning in the winter of life between the one who said nothing, did nothing, and their own soul.”
A philosophically rich critique of state violence and mass apathy.Pub Date: Feb. 25, 2025
ISBN: 9780593804148
Page Count: 224
Publisher: Knopf
Review Posted Online: Dec. 14, 2024
Kirkus Reviews Issue: Jan. 15, 2025
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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