Of a piece with Jonathan Littell’s The Kindly Ones (2009) as a philosophically charged novel of an ever-more-distant time,...
A Swedish bestseller, this sprawling, Dickensian novel of the Holocaust now lands in America, where it is sure to attract attention.
Based on historical fact and a real-life central character, Sem-Sandberg’s magnum opus is set in the Jewish ghetto of Lodz, Poland. The time is the winter of 1940, when the Nazi invaders have newly arrived to find an apparently willing accomplice in a very unpleasant man named Chaim Rumkowski. Sadistic and abusive in every possible way, Rumkowski has an odd dream: He believes that he can “demonstrate to the authorities what capable workers the Jews are,” thereby convincing the Nazis to turn all of Lodz into what would eventually become “a Jewish free state under Nazi supremacy, where freedom had been honestly won at the price of hard work.” Against the awful figure of Rumkowski, who Sem-Sandberg allows to come out of the shadows only slowly, stand other characters, real and imagined: Rumkowski’s sister, horrendous in her vanity; Gertler the policeman, a law unto himself; Adam, hooked of nose and in care of a mentally disabled sibling, both the kind of people the Nazis want very much to exterminate. The Nazis, of course, are very bad indeed, as they reveal with little ceremony from the first, and especially when the deportations to the death camps begin. But the Jewish administrators of the ghetto are perfectly capable of inflicting terror on their own people; Sem-Sandberg risks courting controversy by revisiting this complicity with evil, as he does by allowing the possibility that Rumkowski may have honestly believed that he was saving his fellow Jews by his acts—a possibility that historians have lately been wrestling with. Sem-Sandberg is very good with period details, and most of his scenarios seem well founded, though often the prose strays into melodrama.
Of a piece with Jonathan Littell’s The Kindly Ones (2009) as a philosophically charged novel of an ever-more-distant time, written by one who was not there to see those terrible events firsthand.Pub Date: Sept. 1, 2011
ISBN: 978-0-374-13964-3
Page Count: 672
Publisher: Farrar, Straus and Giroux
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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