by Steve Seskin & Allen Shamblin & illustrated by Glin Dibley ‧ RELEASE DATE: Oct. 1, 2002
An admirable message but this is as didactic as it gets. The over-sized faces of the children and their wide-eyed expressions seem to emphasize the impact teasing has on a child’s emotions. Clearly from the title, one realizes that the message is meant to combat teasing and bullying through the use of literature and a rendition of the country music hit used by Peter Yarrow (of Peter, Paul, and Mary fame) as the basis for his anti-bullying foundation of the same name. The CD, with the song written and recorded by authors and songwriters Steve Seskin and Allen Shamblin, is included. The song was written specifically to aid all children to live in a kinder, safer, and more supportive environment; now the song lyrics have become the text for this rendering. All types of reasons are the subject for teasing: having braces or glasses, being chosen last, being “slower” than others in the class. The beggar on the street and those who are “different” all are subjected to stares and laughing. In his afterword, Yarrow points to the many schools and organizations that have joined Operation Respect: “Don’t Laugh at Me.” This effort is, as Yarrow states, “part of spreading the message.” Terribly didactic—but not all that offensive in its obviousness. Libraries will need to have the book and CD available for patrons who want to support this program. (Picture book. 4-9)
Pub Date: Oct. 1, 2002
ISBN: 1-58246-058-2
Page Count: 32
Publisher: Tricycle
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2002
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by Steve Seskin & illustrated by Eve Aldridge & Bob Barner
by Loren Long & illustrated by Loren Long ‧ RELEASE DATE: Sept. 1, 2009
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
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by Loren Long ; illustrated by Loren Long
by Loren Long ; illustrated by Loren Long
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by Amanda Gorman ; illustrated by Loren Long
More About This Book
SEEN & HEARD
by Amanda Gorman ; illustrated by Loveis Wise ‧ RELEASE DATE: Jan. 7, 2025
Enthusiastic and direct, this paean has a lovely ring to it.
Former National Youth Poet Laureate Gorman invites girls to raise their voices and make a difference.
“Today, we finally have a say,” proclaims the first-person plural narration as three girls (one presents Black, another is brown-skinned, and the third is light-skinned) pass one another marshmallows on a stick around a campfire. In Wise’s textured, almost three-dimensional illustrations, the trio traverse fantastical, often abstract landscapes, playing, demonstrating, eating, and even flying, while confident rhymes sing their praises and celebrate collective female victories. The phrase “LIBERATION. FREEDOM. RESPECT” appears on a protest sign that bookends their journey. Simple and accessible, the rhythmic visual storytelling presents an optimistic vision of young people working toward a better world. Sometimes family members or other diverse comrades surround the girls, emphasizing that power comes from community. Gorman is careful to specify that “some of us go by she / And some of us go by they.” She affirms, too, that each person is “a different shape and size,” though the art doesn’t show much variation in body type. Characters also vary in ability. Real-life figures emerge as the girls dream of past luminaries such as author Octavia Butler and activist Marsha P. Johnson, along with present-day role models including poet and journalist Plestia Alaqad and athlete Sha’carri Richardson; silhouettes stand in for heroines as yet unknown. Imagining that “we are where change is going” is hopeful indeed.
Enthusiastic and direct, this paean has a lovely ring to it. (Picture book. 4-8)Pub Date: Jan. 7, 2025
ISBN: 9780593624180
Page Count: 32
Publisher: Viking
Review Posted Online: Oct. 12, 2024
Kirkus Reviews Issue: Nov. 15, 2024
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by Amanda Gorman ; illustrated by Christian Robinson
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