A fine procedural augmented by beefy subplots and a pitiable villain.
In the latest installment of Williams’ (Ace, 2015, etc.) thriller series, police detective Salvador Mitchell dodges assassins and deals with a surprise inheritance while a grieving father plans an explosive retribution.
Mitchell is understandably taken aback by the news of his mother Cora’s death in a helicopter crash in Costa Rica. But he’s outright shocked when attorney V.E. McNamara informs him that Cora’s estate, to which Mitchell’s entitled, is worth anywhere from $10 million to $30 million due to the respect that her paintings have garnered in the art world. A condition of the inheritance, however, is that Mitchell must leave his job as a homicide detective in the city of Salento, which he isn’t ready to do. His girlfriend, Mya Laing, would prefer that he turn in his shield, especially when it’s clear that people are trying to kill him—likely gang members seeking revenge for their boss’s death. Meanwhile, retired city engineer Kerak Daniluk is still mourning his engineer son, Wil, who died in an allegedly job-related accident. Kerak is distraught over the city’s apathetic handling of Wil’s death, so he plots vengeance, slowly amassing components for explosives—and his path soon crosses with Mitchell’s. Despite the presence of returning characters, including Mitchell, Laing, and Mitchell’s partner, Eddie “Sandman” Sandovan, the standout in Williams’ fourth series entry is Kerak. Despite his terrible goals, he’s quite sympathetic, and his plan is so methodical that the story never lingers on its potential malice. When it appears that nosy hunters might catch on to what Kerak’s doing, readers will see them more as obstacles than as potential heroes. Other assorted subplots, including one involving Laing’s ad-executive job, eventually tie into the main storyline, as well, sometimes in unexpected ways. Mitchell himself proves capable when facing hit men, but there’s only a modicum of detective work this time around given everything else that he has to deal with. Williams’ vivid descriptions also leave their mark: “The cityscape was a gallimaufry of varying architectural styles and lighting…bright white metal halides sparkled like diamonds.”
A fine procedural augmented by beefy subplots and a pitiable villain.Pub Date: Oct. 4, 2017
ISBN: 978-1-5455-4841-7
Page Count: 330
Publisher: CreateSpace
Review Posted Online: Oct. 18, 2017
Kirkus Reviews Issue: Jan. 1, 2018
Review Program: Kirkus Indie
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...
The traumatic homecoming of a wounded warrior.
The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart.
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.Pub Date: Jan. 31, 2012
ISBN: 978-0-312-57720-9
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Dec. 18, 2011
Kirkus Reviews Issue: Jan. 1, 2012
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