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SKULL

An action-packed murder mystery, buoyantly written and suspenseful.

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Two detectives investigate a family’s mysterious murder and encounter a network of sex and conspiracy. 

Detectives Mitchell and Sandovan are given a tip from a petty criminal so implausible it rings true: During the burglary of a posh home, he discovered a family of four dead at the dinner table. The detectives find the Harbmans just as described—the parents, their son, and his girlfriend—seated in funerary stillness, presiding grimly over a partially eaten roast beef, a scene chillingly depicted by author Williams (Shank, 2017, etc.). Angela, the 20-year-old daughter of the Harbman family, is missing and is later found hiding in a panic room within the house, nearly dead. A toxicology report reveals that the family was poisoned with Carfentanil, an opioid that dwarfs heroin in potency. The Harbmans initially seem like an innocuous clan, but as the detectives dig deeper, they find a long list of suspects, a colorful spectrum of humanity intelligently depicted by the author. First, their insufferably aristocratic neighbors openly detested them for class jumping; the Harbmans became uber-rich by winning a lottery. Neighbor Mr. Kovich claims Angela nearly ruined his son by seducing him. And the Harbmans’ housekeeper, Ms. Lindstrom, once served prison time for poisoning a prior employer. But a cloud of suspicion hangs over Angela as well. Her sexual appetite is purported to be “insatiable” and nearly indiscriminate. To make matters more complicated (and increasingly dubious), someone who is clearly trying to obstruct the investigation plots against Mitchell’s girlfriend, Mya, attempting to destroy her career. Williams vividly constructs a morally confounding world in which good and evil are messily intermixed: “The unpredictability of humanity puzzled Mitchell. He saw more shades of it than most. People were capable of exceptional generosity but also exceptional cruelty. Sometimes they were interwoven in the same strands of DNA.” The writing is acidly sharp and often laced with wit, though the author isn’t above indulging in detective-talk clichés: “He’s going away for a long stretch.” The plot strains the reader’s credulity for the sake of gratuitous complexity, but the characters are so deftly drawn, and the drama so lucidly described, it simply doesn’t matter. 

An action-packed murder mystery, buoyantly written and suspenseful. 

Pub Date: N/A

ISBN: N/A

Page Count: 347

Publisher: Kurti Publishing

Review Posted Online: May 31, 2019

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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