Impressively wrought modern vampire/redemption yarn, from the author of The Phoenix Guards, The Gypsy (p. 641), etc. Arriving in the quiet college town of Lakota, Ohio, Agyar Janos takes up residence in an empty, furnished house—abandoned because it's haunted by Jim, the ghost of an escaped slave. The pair strike up a wary friendship, and it becomes apparent that Agyar, methodical, callous, detached from both life and death, is a vampire. His first victim is artist Jill, but she rebels against his control of her; so when threatened by Jill's shotgun-toting boyfriend, Agyar kills him without compunction. Then Laura Kellem, the ancient vampire to whom Agyar is himself in thrall, orders Agyar to sacrifice himself by allowing the police to capture him, so as to preserve Kellem's own concealment, which she has foolishly compromised. At first, Agyar cares little; but in his developing non-vampire relationship with Susan, Jill's warm, attractive, intelligent flatmate, he finds compelling reasons to stay alive. Poor Jill, meantime, performs a gypsy magic ritual in another desperate attempt to break free of Agyar. But Agyar is no longer the vampire he was. After learning the details of the ritual, he voluntarily releases Jill; then, accompanied by Susan, he prepares to use the ritual himself in a showdown with the merciless Kellem. Compact, understated, and highly persuasive. Brust accomplishes with a wry turn of phrase or a small flourish what others never achieve despite hundreds of gory spatters.
Pub Date: March 1, 1993
ISBN: 0-312-85178-2
Page Count: 256
Publisher: Tor
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1992
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.
Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.
In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.Pub Date: Feb. 4, 2020
ISBN: 978-0-345-54857-3
Page Count: 592
Publisher: Del Rey/Ballantine
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
BOOK REVIEW
BOOK REVIEW
A somewhat fragmentary nocturnal shadows Jim Nightshade and his friend Will Halloway, born just before and just after midnight on the 31st of October, as they walk the thin line between real and imaginary worlds. A carnival (evil) comes to town with its calliope, merry-go-round and mirror maze, and in its distortion, the funeral march is played backwards, their teacher's nephew seems to assume the identity of the carnival's Mr. Cooger. The Illustrated Man (an earlier Bradbury title) doubles as Mr. Dark. comes for the boys and Jim almost does; and there are other spectres in this freakshow of the mind, The Witch, The Dwarf, etc., before faith casts out all these fears which the carnival has exploited... The allusions (the October country, the autumn people, etc.) as well as the concerns of previous books will be familiar to Bradbury's readers as once again this conjurer limns a haunted landscape in an allegory of good and evil. Definitely for all admirers.
Pub Date: June 15, 1962
ISBN: 0380977273
Page Count: 312
Publisher: Simon & Schuster
Review Posted Online: March 20, 2012
Kirkus Reviews Issue: June 15, 1962
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