Much ado about a lot of stuff most youngsters won’t fully get or appreciate.
Nothing equals something.
Pals Oona and Otto visit the Museum of Nothing. In the Nobody Room, they’re greeted by a sign featuring lines from Emily Dickinson’s “I’m Nobody! Who Are You?” and a “statue” of the Invisible Man “stands” on a base. (Otto shakes hands.) The Blank Library contains books with empty pages, while the Zero Wing displays works of art that depict the number zero in several languages (along with a portrait of actor Zero Mostel, his head shaped like a zero). The kids visit the gift shop and, upon arriving home, announce they saw NOTHING! at the museum. This cheeky, overly hip metaphysical journey will appeal to adults more than children—though the Hall of Holes is kid-level fun—and will require much explaining from grown-ups. References to “Yayoi, Kaholo, and Ono” on a sign will likely go over youngsters’ heads, as will Agatha Christie’s And Then There Were None in the Blank Library. An appendix, “The Catalog of the Museum of Nothing,” is a boon, even for adults. Still, crisp ink and digitally colored illustrations include numerous cleverly embedded zeroes and letter Os to represent the concept of “nothing”; children will enjoy scouring the pages to locate them and may want to illustrate their own ideas about nothingness. Blond, pale-skinned Oona and dark-haired, brown-skinned Otto wear clothes featuring zeroes. (This book was reviewed digitally.)
Much ado about a lot of stuff most youngsters won’t fully get or appreciate. (Picture book. 6-9)Pub Date: Oct. 17, 2023
ISBN: 9781662651441
Page Count: 48
Publisher: Minerva/Astra Books for Young Readers
Review Posted Online: July 26, 2023
Kirkus Reviews Issue: Aug. 15, 2023
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
Cute and brave—gee, Rot’s spud-tacular!
A “scaredy-spud” puts on his brave face.
All “mutant potatoes” love mud. Mud is good for playing games, eating, and even sleeping. But few taters have more tender feelings toward muck than Rot. À la Pete the Cat, Rot celebrates mud in song: “Mud between my toes! / Mud in my nose! / Mud is GREAT / wherever it GOES!” When Rot’s big brother, Snot, tells Rot about the Squirm that lives “deep down in the mushy muck,” his love quickly turns to fear. But he doesn’t give up! Instead, Rot imagines himself in various disguises to work up courage. There’s “Super Spud” (a superhero), “Sir Super Rot, the Brave and Bold” (a superhero-knight), and even “Sir Super Rot the Pigtato” (a, um, superhero-knight-pig-potato). The disguises are one thing, but, deep down, is Rot really brave enough to face the Squirm? Readers wooed by Rot’s charm in Rot: The Cutest in the World (2017) will laugh out loud at this well-paced encore—and it’s not just because of the butt cracks. Clanton creates a winning dynamic, balancing Rot’s earnestness, witty dialogue, and an omniscient, slightly melodramatic narrator. The cartoon illustrations were created using watercolors, colored pencils, digital collage, and—brilliantly—potato stamps. Clanton’s reliance on earth tones makes for some clever, surprising page turns when the palette is broken.
Cute and brave—gee, Rot’s spud-tacular! (Picture book. 6-8)Pub Date: June 16, 2020
ISBN: 978-1-4814-6764-3
Page Count: 40
Publisher: Atheneum
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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