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Ulme of the Alentejo

A detailed story for horse lovers that offers real-world knowledge and messages of strength and purpose.

A YA novel about a young woman and her long-lost stallion taking separate journeys toward fulfillment.

This equine adventure, set in the horse countries of Portugal, California, and Australia, is the first of three planned books in the A Tale of Two Horses series. Horse trainer Anna dreams of becoming a cavaleira (a woman “who fights the bulls on horseback”), so she’s heartbroken when her father sells her favorite young Lusitano stallion, Ulme. As Anna embarks on a search for him, Ulme is resold and ill-used in the bullfighting ring, finally ending up in an Australian dressage stable with a friendly barn-mate named Noodles. The story is illustrated by photographs and enlivened by well-crafted crises (a fire, a flooded barn, injuries, and illness) and colorful turns of phrase, such as Noodles’ view of freestyle horse-and-rider choreography: “That’s a lot of harrumph to push around the arena for six minutes.” As Ulme and Anna find their destinies in dressage, the narration shifts among Anna, the two horses, and fellow trainer Erika; other equine and human voices appear along the way. Layne draws from stories of real-life horses for inspiration, offers details of dressage and other horse facts, and highlights the bonds among horses, riders, and trainers—enough to satisfy any horse fan. However, there are a few errors here and there: the word “smite” is used instead of “spite,” a few lines of text repeat, and the pronunciation of the riding term “levade” is given as “la-veed.” The book also presents bullfighting as a noble sport, showing sympathy for “magnificent horses and cavaleiros” but not for the bulls; Layne explains that in this style of bullfighting, “the bull is not harmed,” as it uses Velcro-tipped poles instead of spears. The book includes a glossary, the stories of the real-life Ulme and Noodles, poems, commentary, and a preview of the next volume in the series.

A detailed story for horse lovers that offers real-world knowledge and messages of strength and purpose.

Pub Date: Dec. 7, 2015

ISBN: 978-0-9969349-1-6

Page Count: 122

Publisher: Noodles Tales Publishing

Review Posted Online: Jan. 19, 2016

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BECAUSE I HAD A TEACHER

A sweet, soft conversation starter and a charming gift.

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A paean to teachers and their surrogates everywhere.

This gentle ode to a teacher’s skill at inspiring, encouraging, and being a role model is spoken, presumably, from a child’s viewpoint. However, the voice could equally be that of an adult, because who can’t look back upon teachers or other early mentors who gave of themselves and offered their pupils so much? Indeed, some of the self-aware, self-assured expressions herein seem perhaps more realistic as uttered from one who’s already grown. Alternatively, readers won’t fail to note that this small book, illustrated with gentle soy-ink drawings and featuring an adult-child bear duo engaged in various sedentary and lively pursuits, could just as easily be about human parent- (or grandparent-) child pairs: some of the softly colored illustrations depict scenarios that are more likely to occur within a home and/or other family-oriented setting. Makes sense: aren’t parents and other close family members children’s first teachers? This duality suggests that the book might be best shared one-on-one between a nostalgic adult and a child who’s developed some self-confidence, having learned a thing or two from a parent, grandparent, older relative, or classroom instructor.

A sweet, soft conversation starter and a charming gift. (Picture book. 4-7)

Pub Date: March 1, 2017

ISBN: 978-1-943200-08-5

Page Count: 32

Publisher: Compendium

Review Posted Online: Dec. 13, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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