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TIM'S GOODBYE

A succinct text and an uncluttered design provide space to discover and process a loss.

How do you let go of a departed pet?

Salerno’s retro caricatures exemplify comforting memorial behaviors. Black crayon is used to form the characters on the sunny yellow pages; a controlled digital palette includes accents of darker yellow, white, and black. Channeling a Bemelmans’ heroine, Margot wears a skirt and an oversized bow in her pageboy. The minimalist garden setting features a chair, four white tulips, and a yellow lump. Thoughtful friends contribute blue balloons and a box. Otto dons his “best hat,” while Melinda plays a “cheerful melody” on her French horn. Buddy the dog is actively present. The lump turns out to be Tim, who, when covered with the flowers and arranged in the box, ascends into the now-blue sky “to a place where he basked in the warm sun and swam in cool waters, forever a happy turtle.” As in Remy Charlip’s and, later, Christian Robinson’s versions of Margaret Wise Brown’s The Dead Bird (1958, 2016), Salerno shows readers how to help a friend mourn a dead animal. Most important, of course, is showing up. Similar to the kites in the aforementioned editions, the balloons add an important buoyancy to the telling, providing a possible entree to matters of the spirit, if readers desire it. The characters are all the yellow of the paper save friend Vincent, who is a darker yellow and has crinkly dark hair.

A succinct text and an uncluttered design provide space to discover and process a loss. (Picture book. 3-6)

Pub Date: April 17, 2018

ISBN: 978-0-374-30647-2

Page Count: 40

Publisher: Farrar, Straus and Giroux

Review Posted Online: Feb. 18, 2018

Kirkus Reviews Issue: March 1, 2018

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IT'S NOT EASY BEING A GHOST

From the It's Not Easy Being series

Too cute to be spooky indeed but most certainly sweet.

A ghost longs to be scary, but none of the creepy personas she tries on fit.

Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.

Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)

Pub Date: Aug. 13, 2024

ISBN: 9780593702901

Page Count: 32

Publisher: Random House

Review Posted Online: May 17, 2024

Kirkus Reviews Issue: June 15, 2024

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LOVE FROM THE VERY HUNGRY CATERPILLAR

Safe to creep on by.

Carle’s famous caterpillar expresses its love.

In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.

Safe to creep on by. (Picture book. 3-6)

Pub Date: Dec. 15, 2015

ISBN: 978-0-448-48932-2

Page Count: 32

Publisher: Grosset & Dunlap

Review Posted Online: Feb. 1, 2021

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