Shortly after the end of WW II, 11-year-old Etienne visits his grandfather's farm for the summer and discovers a shameful secret that the French village has been hiding since the war. As Grand-päre drives Etienne from the station in his wagon, they pass a group of refugee children on the road. Etienne is used to these ragged and forlorn strangers and likes to give them food and money, but Grand-päre drives by them as though he doesn't see them. Etienne thinks his grandfather is being heartless, but the truth is that Grand- päre doesn't see the refugees because they are not there: They all died in concentration camps. During the war, many children had sought refuge in Grand-päre's isolated rural community, but when the Nazis presented the village with an ultimatum, the townspeople gave the children up in order to save themselves. Now they try to forget the past, but the children return to exhort Etienne, who is himself half- Jewish, to remember what was done to them. They do not blame the townspeople for handing them over to the Nazis, but for denying what happened. Because of Etienne, their memory will live on. Without horrific photographs or artifacts, Schnur (This Thing Called Love, 1992, etc.) dramatizes the importance of remembrance. (Illustrations not seen) (Fiction. 8+)
Pub Date: Oct. 1, 1994
ISBN: 0-688-13281-2
Page Count: 96
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1994
A sparse, beautifully drawn story about a teen discovering her heritage.
In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.
Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.
A sparse, beautifully drawn story about a teen discovering her heritage.Pub Date: March 15, 2018
ISBN: 978-1-55379-678-7
Page Count: 48
Publisher: HighWater Press
Review Posted Online: Feb. 28, 2018
Kirkus Reviews Issue: May 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Beautiful and important.
When Death tells a story, you pay attention.
Liesel Meminger is a young girl growing up outside of Munich in Nazi Germany, and Death tells her story as “an attempt—a flying jump of an attempt—to prove to me that you, and your human existence, are worth it.” When her foster father helps her learn to read and she discovers the power of words, Liesel begins stealing books from Nazi book burnings and the mayor’s wife’s library. As she becomes a better reader, she becomes a writer, writing a book about her life in such a miserable time. Liesel’s experiences move Death to say, “I am haunted by humans.” How could the human race be “so ugly and so glorious” at the same time? This big, expansive novel is a leisurely working out of fate, of seemingly chance encounters and events that ultimately touch, like dominoes as they collide. The writing is elegant, philosophical and moving. Even at its length, it’s a work to read slowly and savor.
Beautiful and important. (Fiction. 12+)Pub Date: March 14, 2006
ISBN: 0-375-83100-2
Page Count: 512
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2006
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