Take a tour of Venice from a dog’s-eye view.
Meet Sandro, a small black and tan dog with perky ears and wide cartoon eyes. He and his gondolier owner, Nicola, wear matching blue-and-white striped tops, with a dashing straw hat for Nic and a red neckerchief for Sandro. Together, they spend their days on the canals of Venice, but today Sandro “ha[s] people to see, places to go!” and embarks on a secret mission that takes him, and readers with him, on an uneventful tour of the historic city. This confident little dog marches through small alleys, crosses bridges, and even boards a vaporetto (a Venetian water bus) to ensure everything is shipshape for—surprise!—Nic’s birthday party. Despite a hearty sprinkling of Italian phrases and Venice-specific terms (complete with a glossary at the back), the book really fails to convey the vibrancy of Venice, which, as a major global cultural center and tourist hot spot, is in reality constantly bustling with dense, diverse crowds conspicuously absent from the dull, static illustrations. Everyone depicted, named or otherwise, has one of two skin tones: unvaried peach for White people (including Nicola) or a cadaverous taupe for people of color. While Varni’s writing lovingly evokes this European capital, the visual accompaniment fails to do justice to this heart-stoppingly beautiful city. (This book was reviewed digitally.)
It’s a good thing ciao can mean hello—or goodbye.
(Picture book. 5-8)